D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
5 Y/ A9 E# R- M$ \$ i; e8 a' kof the new Nikon D800. Established medium-format image quality is
( u9 F6 b" ~# O/ l6 i  e9 q  C( {now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
( s% S2 `/ q6 e6 Owithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
3 R- n/ t6 z- W6 n! t8 qin low light are just a few features that are glaring improvements. The D800
! I  w* B0 c/ a) D6 d& _2 Z7 X" yallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
. S0 W6 J2 F7 t5 n. s0 @was traditionally captured with medium-format equipment for maximum
, v4 g* }2 B" c- V7 oimage quality. When the 35mm format was adopted within the genre, it was
- y3 e: f9 \" p( A! |" \0 Iwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
6 u+ ~2 R2 D! q+ a+ S4 n$ jthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
0 T) W; K) _* T2 r/ z9 h% Jrange, color rendering and the final print. The detail from the D800 produces
2 j7 j( K& G0 ^! V( p7 F& L6 vthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
  \8 {- ?* B6 l$ W0 EAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
8 X! M' K( S  p+ J2 t0 M9 a1 seasier to read. The camera body feels solid and ergonomically simple, while
! ]/ V* ^5 s) |8 V4 balso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
' A  N. O  h, H6 z/ K7 h6 }# p+ [) Gin such a compact package will open huge creative possibilities for my highquality
( S' A! R8 z! h+ \prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
! [1 _9 Y. u- n# s- I% s' X, w  }not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
2 Z2 R1 ?# `0 K5 |6 {! tcountless cameras, I have found a new best friend. It was not love at first
* {/ j, ^7 `% V$ ssight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
" U" |' J2 _) P  ^; a4 macuity between aperture choices on various lenses were apparent. But now I
' B: K+ ]) u; ]am enthralled with this technology. Why? Because the images almost feel as
, {/ `' F: c  O: `) }# xthough they were made with a 4x5 view camera! Special features like timelapse
$ B/ e8 H. L# D- q: a; ~photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
, v) _# q" j* N- f  c7 xis that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
- j* k' B2 h* G6 `; I1 jartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
8 l! a5 @- v4 x3 |9 ^4 s6 W! lcamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
1 i# w! |) Y5 n3 z% J2 W% ~and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
$ i# C8 D4 q, z9 A$ G- Y, Fperfectly match with the newly invented system and produce breathtakingly
9 s3 Y0 m3 }7 F5 t  M9 g# A  Hclean, clear and sharp files. This camera gives me the photographic flexibility
0 M5 q4 T0 Q2 b4 W; I: u# ito work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
" H5 P% o4 w( D. s( D' z  U4 ]6 oto a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
& t, k; N9 c' N6 v: WFashion (U.S.A.)
Cliff Mautner
. z& L7 w, b5 L1 ^# MWedding (U.S.A.)
Jim Brandenburg
# O; l8 b6 u- \, m) V1 iNature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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