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This was in a Vistek ad…some cool tips you may want to use.2 m4 ]: i( f/ l% v' P- h" B' z
" T* }' d, x# J* W C: IDigital Black and White
5 p3 r% x! V) N1 S5 qShoot in RAW and underexpose your image by 1/2 stop to a full stop.
. r; a+ W9 u- ^: Z: p* QUse the shadow and highlights tool in a RAW software program to
4 L4 U, x+ h$ [, N ~restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
& r' u _. e- m! R+ K) gmethods provided by RAW and you'll have a correctly exposed black% U; ?' c. r, @! C+ I: X
and white image.
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- \; p. S+ R) w1 F- `5 aWhite Balance1 x+ m- v, e$ e' Y5 O5 I8 d9 ^
If in need of a quick white balance tool, you can use a standard$ P9 |9 N9 K% P- |: |. L. e) O
white coffee filter. Use the custom camera white balance while aiming
& r: D% J9 r" ~1 uthe coffee filter and lens to the opposite of the light source to get white! O, H, s! [/ J+ T7 i% a: ]3 O0 _" E
balance. I always keep coffee filters in my camera bag for8 |" M; D/ V+ Q& x+ r* o" X4 u. U) F E
such occasions.
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Pseudo ISO Boost! w( v ^/ i( O! v. k: O
If you’re shooting in the dark at a concert venue and need more, w) x$ `# _% _
ISO boost from your camera and faster shutter speeds - choose " P) V/ j6 J" i3 Q
the highest ISO setting on your camera and underexpose your image
8 Z0 d" W5 ~5 ~by one stop. Then you can use a RAW processor to overexpose the2 i j/ N0 y6 W
image by one or two stops. Image noise may be higher but this
; v8 {0 N: W, m+ B- P7 Uworks very well for concert, venue and event shooting. |
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