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This was in a Vistek ad…some cool tips you may want to use.
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/ G% t" t _9 |/ u f0 |) ZDigital Black and White
# N4 Y/ C+ Q# ]' R+ k l. X" F; [Shoot in RAW and underexpose your image by 1/2 stop to a full stop.2 q; |0 K. g# z- F/ \9 Q
Use the shadow and highlights tool in a RAW software program to
: c9 ?2 n$ n7 _) g8 i2 x0 E) P! V, `2 nrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
; Y1 q" J! ]/ e$ K9 X% s0 bmethods provided by RAW and you'll have a correctly exposed black, |. h% y4 G4 f5 B' x2 S; V
and white image.
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White Balance4 Q+ P: f" D8 p; J' s' L
If in need of a quick white balance tool, you can use a standard6 b; y$ A. ]" e8 p# F3 ]
white coffee filter. Use the custom camera white balance while aiming* z/ j! q- i3 T$ V& }
the coffee filter and lens to the opposite of the light source to get white
7 `% t' O9 A5 H/ c1 H# q1 |" rbalance. I always keep coffee filters in my camera bag for
: f d5 y R7 ^9 u2 j. N4 C2 ]such occasions.
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8 Q3 k0 @ V1 V5 bPseudo ISO Boost z; S7 j" B0 O) P5 |/ p2 Z0 A, Z
If you’re shooting in the dark at a concert venue and need more$ U, Y* _# {( Z( }1 j
ISO boost from your camera and faster shutter speeds - choose 3 y; G) j* D* P
the highest ISO setting on your camera and underexpose your image! x4 v( g) w9 e9 N/ c/ x
by one stop. Then you can use a RAW processor to overexpose the' ^- Q3 [2 w# F. {5 u
image by one or two stops. Image noise may be higher but this
* `$ q' O% Z- j7 bworks very well for concert, venue and event shooting. |
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