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This was in a Vistek ad…some cool tips you may want to use.$ Z0 w7 X+ ^* W v( ?/ J! v3 o
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Digital Black and White. Q4 W3 l7 `- @
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
0 }0 w' e' P; ]7 d* e" n# S4 {Use the shadow and highlights tool in a RAW software program to. N2 O4 m: S- U$ L: i' a, C
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White/ N' Y% m$ ~/ C& q5 o& Q. f
methods provided by RAW and you'll have a correctly exposed black5 U0 m0 ~9 P& G' l
and white image.
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8 E) X! ?8 d& S, f- {( v% s7 E: cWhite Balance
9 K: k% A4 r1 x- sIf in need of a quick white balance tool, you can use a standard
3 {# {$ E. z6 K: P" k& C. ?/ s# }( {white coffee filter. Use the custom camera white balance while aiming7 \* J/ j8 d8 m% T( H
the coffee filter and lens to the opposite of the light source to get white! l1 D+ V; |, |/ U" _
balance. I always keep coffee filters in my camera bag for8 ?6 w1 s( s0 _3 A& Y
such occasions.
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' t! {1 I5 c2 ~, H1 e+ D( a, OPseudo ISO Boost
% m' ?3 w3 Q+ s4 W3 S q. {If you’re shooting in the dark at a concert venue and need more6 t, N- I7 A, A B$ W/ v
ISO boost from your camera and faster shutter speeds - choose ' J! N. c$ d: m* S% m
the highest ISO setting on your camera and underexpose your image
; v! U8 P% ?$ q6 |. l& y5 Yby one stop. Then you can use a RAW processor to overexpose the
\$ o2 A; L( O( P0 m& @: Mimage by one or two stops. Image noise may be higher but this
, u8 l/ ^) u. |( J) Lworks very well for concert, venue and event shooting. |
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