D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
; }. [, ]4 w3 Mof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
+ J6 K& g0 Y% l$ e# u8 [5 V# Nmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
7 [0 d8 M$ K9 ~matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
9 c5 i* e; }2 r2 _without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
' t  _4 L: ^; ?+ i" Mimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
( F" O/ f* T+ W- [0 Y. jconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
$ A# l* I. }6 g2 q' s9 vthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
: L- Y9 ~. U# pwell as fabric and hair detail are superior to anything that has come before.
+ v/ w& V4 X& C3 j* w, r. {Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
# t* |5 q- M' nhas noticeable improvements in metering accuracy, while the larger LCD is
2 D0 r5 G4 M4 b+ \. Weasier to read. The camera body feels solid and ergonomically simple, while
& @( S7 \% Y" \4 B* e& l, H2 I. Palso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
! h6 c9 {7 q: S$ bprints and video.
8 M: ]7 m4 F2 W, M, U' S$ _To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
! {+ p  M7 D( Vcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
* M/ h$ ?; N+ Q! Hlike never before. Subtle camera movements showed and differences of
  ^9 h' l5 U) O. f/ j  Racuity between aperture choices on various lenses were apparent. But now I
( k. {% ~4 T' L  Y! S2 @1 W7 }am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
6 J7 v4 @" T8 X$ N! O0 r( jtremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
1 Y2 C2 c5 c4 `# {5 R8 ?1 his that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
& _4 x/ c# n5 F) s0 c, s% b/ A* Nthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
9 `! h% \; ~5 H. S' f% ~4 qand easy focusing in dim lighting, which simplifies my workflow. Superior
9 G; k3 [$ r/ u7 f' Fquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
/ i# u) a/ Y, w" @5 }3 M: ?  e4 i9 zclean, clear and sharp files. This camera gives me the photographic flexibility
+ Z0 k- ]7 p3 }5 _' dto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
4 u1 S" ?' I' B) E2 K( I) B, }3 o# kto a new level. What a new companion!
The D800 On Assignment
  f5 f' k- _8 U% S* h" M; N  p, ERob Van Petten
9 r  q  w. E. |4 eFashion (U.S.A.)
5 U, \& {- M+ P5 a) a; ?Cliff Mautner
7 [4 g' m4 t& X8 CWedding (U.S.A.)
; \; \- j: t+ x5 G' R2 }* ~Jim Brandenburg
Nature (U.S.A.)
$ R/ k9 w# p4 o" \Benjamin Antony Monn
) n1 P5 G' U! ^4 U1 v/ W& kFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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