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This was in a Vistek ad…some cool tips you may want to use.
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$ L' W* Z9 m, e' D% cDigital Black and White' c+ R" H5 K3 d7 p( m* @
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
0 m- b) \. V7 D3 K2 C# h6 iUse the shadow and highlights tool in a RAW software program to
* z+ s7 ^; Y7 v7 A/ @8 a4 Grestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
: r: i7 r3 g. x* F* e/ p* Omethods provided by RAW and you'll have a correctly exposed black
?$ p: Q8 B) y: Q2 r% K- Hand white image.7 V6 C4 r0 |1 a8 }4 x) Z& [7 ?% |
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White Balance
3 `, F8 ] R/ G$ @If in need of a quick white balance tool, you can use a standard
* U9 e* K7 `% a% M0 `& q3 Awhite coffee filter. Use the custom camera white balance while aiming
( I& Q& i0 p w) E8 rthe coffee filter and lens to the opposite of the light source to get white
; |8 n" }$ {9 u0 o8 p+ jbalance. I always keep coffee filters in my camera bag for( Z9 H% ^% b% S0 n- f& ?
such occasions.' j1 J* Y& [$ r# G5 f7 `% l5 v
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Pseudo ISO Boost5 Q( c& W! L; I6 `1 I0 k8 B$ f
If you’re shooting in the dark at a concert venue and need more
, X+ J: t# y4 ~, i ]8 v- r* m& H4 ZISO boost from your camera and faster shutter speeds - choose
" |$ P1 b$ @: @' x& Sthe highest ISO setting on your camera and underexpose your image
6 U: w8 j9 I8 r1 i% Z# I5 Y) qby one stop. Then you can use a RAW processor to overexpose the
0 @1 Q. K8 g3 a4 himage by one or two stops. Image noise may be higher but this; n5 j8 e7 z3 ~& B% }8 g( n
works very well for concert, venue and event shooting. |
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