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This was in a Vistek ad…some cool tips you may want to use.8 v v# Y: t% r) Q: Q. ]
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Digital Black and White
5 f7 }' K# g" LShoot in RAW and underexpose your image by 1/2 stop to a full stop.
+ j! X6 ~) S OUse the shadow and highlights tool in a RAW software program to
. }7 z' P7 Z% Orestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White& j+ V4 Y3 ^( {- Z. }9 r8 R3 m5 L
methods provided by RAW and you'll have a correctly exposed black
/ K' V2 S0 g" O( f6 z6 b: vand white image.
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White Balance, K: v4 g/ G- ^! z0 b1 m) X5 r
If in need of a quick white balance tool, you can use a standard
$ I- [) W; F- z3 b/ G: P- u4 Uwhite coffee filter. Use the custom camera white balance while aiming
/ J, y8 ^8 T8 Q( J, K5 ythe coffee filter and lens to the opposite of the light source to get white3 b5 S, }! o, ~
balance. I always keep coffee filters in my camera bag for
3 I: \( w* c0 k& f/ |such occasions.
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Pseudo ISO Boost! j* @# e m% ?. e2 x$ q
If you’re shooting in the dark at a concert venue and need more
9 f( x+ d( T6 S2 h0 r% x. NISO boost from your camera and faster shutter speeds - choose
9 G3 S( ?$ y3 r0 c3 o) R. y: ]the highest ISO setting on your camera and underexpose your image) L! n. t' D+ } u8 h; C( n0 p) h$ p
by one stop. Then you can use a RAW processor to overexpose the
. E/ S& A$ U+ h6 L' z! Q) Qimage by one or two stops. Image noise may be higher but this
& \9 }, Z3 {# nworks very well for concert, venue and event shooting. |
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