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This was in a Vistek ad…some cool tips you may want to use.- K" ^7 ~ C) Z% n+ G. U: e9 P; Y
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Digital Black and White
/ y7 E; o A4 \Shoot in RAW and underexpose your image by 1/2 stop to a full stop.3 D) ^; W$ P: e. P# G
Use the shadow and highlights tool in a RAW software program to. Q9 E x7 @ K5 g4 x
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 Q. m1 p0 ?3 ?3 z+ Umethods provided by RAW and you'll have a correctly exposed black, h# N1 D% ]$ X1 S
and white image.
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White Balance
) K# e+ P$ P) `4 WIf in need of a quick white balance tool, you can use a standard) ]7 T" o2 E. ` m* Z6 g. h' ]
white coffee filter. Use the custom camera white balance while aiming$ \" [7 `) I, o% ]9 Z! k, _
the coffee filter and lens to the opposite of the light source to get white
7 K: y; j5 f8 l! ]balance. I always keep coffee filters in my camera bag for! h9 o' P- c/ f9 L2 f$ g
such occasions.
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" \* l. a- p- I/ N5 YPseudo ISO Boost/ p% h! u/ A$ i' p8 C" ~3 r
If you’re shooting in the dark at a concert venue and need more
$ S- A. Y" ^' B' OISO boost from your camera and faster shutter speeds - choose
! g' T6 e- [" m' Z/ athe highest ISO setting on your camera and underexpose your image
. ]8 x: S: ?/ v5 _$ sby one stop. Then you can use a RAW processor to overexpose the
6 |$ z/ H( P d, e, z# Oimage by one or two stops. Image noise may be higher but this
8 v2 q9 g1 M/ e; {# H0 `works very well for concert, venue and event shooting. |
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