 鲜花( 152)  鸡蛋( 1)
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$ ^% Z* x+ k0 q* I! Q- \! x1 JRandy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams% }/ z+ U9 g$ q3 ]+ e5 k
Given at Carnegie Mellon University! @: Q( W* o7 v M
Tuesday, September 18, 20073 Q, ^, @+ ~5 S5 S1 v; }3 j
McConomy Auditorium$ W7 T9 F5 L8 e m
For more information, see www.randypausch.com2 z! {4 \3 D& P
© Copyright Randy Pausch, 20071' k# }" y: `9 _# V: k
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Introduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:3 g' K0 x& L4 j' I! D6 g }7 a
Hi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled: F& L% b; r! W/ d0 W
Journeys – lectures in which members of our community will share with us reflections and insights
V0 K1 {/ Z" R) t2 N( Y/ B" k" Lon their personal and professional journeys. Today’s Journey’s lecture as you all know is by4 }. Z0 d4 }4 L0 ^( l6 p4 k
Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky." ?: b) n+ c" S. ]* b _
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s
4 Q0 ~! k+ k- c" U9 o9 {- Z4 Tfriend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice4 s- s. x2 V3 h- r! d
President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The
) k- _! p" x0 ]Sims is one of the most, if not the most successful PC games in the world, with sales approaching
' ~* f2 v @2 g5 dover $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and- E8 E# \! Q y) y/ P! g
Education at EA, bridging academia and Electronic Arts. His goal was to work with academics so
4 d$ q! D6 U) ^% zthere was an effective educational pathway for kids with building games as their dreams. It was in
+ g: ?7 u9 Q& W) u" Z3 w* \% ]that role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
2 X! ]8 y& }7 _( Kworldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite
% _, g0 ^ V, d8 L1 Amagazine in the Southwest, and as CEO there, one of the things he started was school tours,+ v* V1 K8 f) h1 w
because like Randy he shares a passion for inspiring kids of all ages to share their excitement for
$ P9 u) f2 @1 \ }science and technology.
( e5 a) U3 F6 tSo to introduce Randy, his friend Steve Seabolt. Steve?
5 h2 ?0 b5 P! G: q+ D' w, a[applause]5 G/ {6 [2 I1 j' I* v2 B
Steve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):
( N8 [# o2 v8 J- K% oThank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR
D3 m/ T" _2 E5 x! J) V; {5 Rpeople are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it& @1 x' t5 ?! u
was 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.6 q. ~, y2 x7 w
[laughter]& ?- x" `: A3 j8 `
I don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from1 v6 ]8 j3 N8 G
Randy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me' L- P2 M) {& ^. F/ ]
20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.+ P8 A( X5 s# U! }3 {
It’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic
3 @ {' H6 j% Gcredentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I: c' M d7 U3 n" P& Y6 \9 T0 I
couldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m& \% T+ Q4 t2 J# Y
not kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT
' S) a8 |) l8 ^' n$ `scores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned
/ ] R/ V4 D( S7 X– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four
! v" r) y3 w3 |& U: yweeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I3 l/ U& }. @2 P6 z
said look – we have two choices. We can play this really straight and very emotional , or we can go) r6 D) |% Q& `5 n& l
to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called
- F L2 c" W% z8 n: i1 |8 e1 Uhim the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
4 y7 R3 y& v0 A9 v6 q7 K, Zwell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To' A8 ^0 A9 q- c/ L; f
which he responded, we need to find you some smarter friends. [laughter] So you’re all smart
. I9 N% S" G* E% f4 p. Cbecause you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room., b+ z# j: Y$ ~1 [7 a# z' A D
Randy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from
C" `1 @, j3 g) {Carnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year, C$ R, d ~. S5 c5 w# a" U7 V
early. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design3 @4 q0 K d$ G+ ]- G
departments. He has authored or co-authored five books and over 60 reviewed journal and7 S% G8 H, E4 M
conference proceeding articles, none of which I would understand. With Don Marinelli, he founded# t# _+ p" I+ V8 b3 i. m
the Entertainment Technology Center, which quickly became the gold standard organization for
* g6 C ^! }: @: Etraining artists and engineers to work together. It is my view and the view of our company,* W" z! g! P) D1 E9 F
Electronic Arts, that the ETC is the interactive program by which all others in the world are judged.
$ H& @* c$ w+ {- M; @4 P: y( TI met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been1 n" H" N) x3 c( P9 p8 z
three years given the depth of our friendship. The ETC already had a very strong relationship with
$ o5 t0 ^8 m& cEA and with Randy. And Randy as he always does, for those of you who know him well, wanted to
% M4 V1 \4 u$ ^8 H' Clearn more, with his own eyes, about how the games business works, and how games really got
( s( E/ O& h |& ~0 z8 a) emade. So he spent a summer in residence at EA, and I was his primary contact point. We were in/ b9 p; b- [, {; R& n' N
my view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me( ]% J! @ N" b! y5 R* G+ m2 |! S
who went to the University of Iowa on a wing and a prayer. We spent a lot of time together that
3 l9 V! z" Y7 v2 Z) K0 n& I0 ^8 Asemester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white2 I6 z% x4 g- \6 E5 {" K1 f1 t. r( B
bread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more
/ m4 K2 i ~' {6 ]1 \“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each9 m Q8 D4 u4 _. {& B4 t0 _
other about each other’s very interesting, strange cultures to the other. Academic versus the& \ k" T h( [& H A: y
corporate world. And we developed a deep friendship woven together with stories about our kids,6 Q0 j7 a/ ^1 ?
our wives, our parents, as well as deep discussions about the paramount nature of integrity in
0 Y* i- _/ D& H; t1 }8 Eeverything you do, family first, religion, our shared joy in connecting people and ideas, and
8 a+ ?# ~+ W* h& y& Qdeploying money and influence to do good. And the importance of having a lot of laughs along the
: p4 [/ a1 g" fway.* t: ]8 ?! \+ t
Randy’s dedication to making the world a better place is self evident to anyone who has crossed
) ` Y# g6 l8 P2 ?paths with him. Whether it’s directly influencing students, creating organizations like the ETC,1 c( _1 v6 T, d/ [% m% H3 G: {
building tools like Alice or doing what he probably does best, which is bridging cultures. As Ben8 Z. R [5 ?2 G9 l, z$ [8 J% v
Gordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,
. x# |1 i$ l- xphilanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he$ I" N$ {7 e" o% K8 s$ S% M) m
brings to students and coworkers on a daily basis.
8 C1 k7 i* I% |, H \5 [; MFor those of you who know Randy, Randy brings a particular zest for life and humor, even while
, Y e5 K, G; Q; A- dfacing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,& D, O P( w+ P3 P/ t4 y
Logan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]8 | S+ W& O% \! G. o2 f1 X7 O
Randy Pausch:2 \: o7 q- {% f' l% p
[responding to a standing ovation] Make me earn it. [laughter]/ L* C3 O7 P8 y q# R+ a$ l5 q
It’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the
$ v4 B7 B& R z, l0 f7 qLast Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,# R, w) x! h" J8 U( t
I finally nailed the venue and they renamed it. [laughter]
; A& Z6 U. \7 v q; wSo, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad# q) ]9 o d0 X
always taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
0 U5 v: w: @. x' \" a; K$ v- M; Iscans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good
6 U6 S0 j4 v, b: H6 b: Z8 Y! whealth left. That was a month ago, so you can do the math. I have some of the best doctors in the2 {) d3 H4 p) @) z7 ~+ E
world. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All
% P& d6 F: h; [( _- C$ Mright. So that is what it is. We can’t change it, and we just have to decide how we’re going to
; T1 f5 X5 u9 O; `- Grespond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t4 o5 Z% G8 j+ N, i% ]9 C6 e
seem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
/ T: a5 K3 |0 O: `8 uam not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,+ L# a# y4 z. W' H2 r+ h1 w
we just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a
' C1 L+ X/ B) Y- B3 @: Fbetter place for the family to be, down the road. And the other thing is I am in phenomenally good
, o. G% u: [* |: A3 @/ d& ?* ihealth right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact/ o( i6 C$ P" k) L1 S- E
that I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the
5 d6 ?; A4 v3 n# Zground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and( M# {6 p) Y. w
do a few of those, and then you may pity me. [laughter]1 R- }6 _! L: T$ B c5 r
All right, so what we’re not talking about today, we are not talking about cancer, because I spent a7 G( |8 O& V; P9 R# l; I
lot of time talking about that and I’m really not interested. If you have any herbal supplements or
7 K- p2 {& z/ j: Iremedies, please stay away from me. [laughter] And we’re not going to talk about things that are+ J4 u8 R) F- h' c5 _
even more important than achieving your childhood dreams. We’re not going to talk about my wife,
# e, x" S0 i$ ?* Hwe’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that. e% b, W; g' ?& v
without tearing up. So, we’re just going to take that off the table. That’s much more important.
8 o) C! {( @& v; Q' }; o0 wAnd we’re not going to talk about spirituality and religion, although I will tell you that I have
8 }# Q: p8 o* }achieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and
1 N& A7 Q! t; F" b3 q; Nclapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about. k( y: [# k. M9 y0 a
then? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that. y7 }0 }; u' J. G6 y
way. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons
# U0 f8 t$ y% ^( Clearned. I’m a professor, there should be some lessons learned and how you can use the stuff you
3 x* f6 S- \9 u, V2 J4 ahear today to achieve your dreams or enable the dreams of others. And as you get older, you may
, {+ L5 ?: I3 E# T% hfind that “enabling the dreams of others” thing is even more fun." p* `+ _8 r$ h, ]( F& x
So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no4 R, P) b5 x( v% h# k4 n
kidding around. I was going back through the family archives, and what was really amazing was, I1 Q+ ~, V( v4 f' K2 H
couldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
5 H/ p ?* x+ \+ W. e; c+ Mthing. There was our dog, right? Aww, thank you. And there I actually have a picture of me# ^8 W) \9 U8 A4 E
dreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you
9 M" L3 L! M: N9 `) t7 h# n* rare 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.3 W" r+ k& c7 p; _1 q; }, t
And that’s something we should not lose sight of, is that the inspiration and the permission to
4 _" n6 d; [' l1 xdream is huge.
9 q- @) J; t% {2 D. gSo what were my childhood dreams? You may not agree with this list, but I was there. [laughter]
5 P6 P# }/ N; q$ oBeing in zero gravity, playing in the National Football League, authoring an article in the World Book
. k, d4 k- s6 `Encyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have
" ]! p# y. e" Athat childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big+ Q( M/ G: k0 A, X, |: }5 H
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not0 K8 K7 T1 E; e; P- }
sorted in any particular order, although I think they do get harder, except for maybe the first one.8 b% Q5 F" j- K! m
OK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an
' z( ]6 O2 K: Nastronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have
3 o8 {# U9 `7 E/ _glasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.
5 h; W- t7 s0 m7 wSo, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation
+ s* R9 d7 g \2 P, @9 ]on a table top] But that didn’t work so well, and it turns out that NASA has something
/ f4 n0 d2 Z6 g/ w* T9 S0 n8 ]called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,* H! W! |: Z. `' ~
and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a
/ C% \2 n( X- W$ ^7 f0 ]5 Qrough equivalent of weightlessness for about 25 seconds. And there is a program where college
& K: g+ P6 l# H! y7 u& F" ]students can submit proposals and if they win the competition, they get to fly. And I thought that
% }' [* X5 M+ s- h E0 lwas really cool, and we had a team and we put a team together and they won and they got to fly.
/ ?# F. x3 v, a [9 c" I' e3 XAnd I was all excited because I was going to go with them. And then I hit the first brick wall, because
$ v8 x) Q- S8 p* [* Hthey made it very clear that under no circumstances were faculty members allowed to fly with the: r) N5 _+ x* ^5 v6 M M# g
teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very
1 z) s2 T9 g1 z2 w% z; ?carefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns
. X, e/ O) I7 U/ y8 wout that the students were allowed to bring a local media journalist from their home town.' D- N2 a0 j8 F# d
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a( L% R1 O% g* W
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some
. @8 I% j" Q. }6 c+ r* Vdocuments. And they said, what documents are you going to fax us? And I said my resignation as
+ @$ W; i' W" \+ q! j/ ^. @4 Nthe faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t
0 t; n# E" B" Ayou think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole0 p( y1 `' j1 A8 r, ~2 Z
bunch of VR headsets and all the students from all the teams are going to experience it and all those$ j5 f) Y3 m0 x- I* I3 i
other real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going. ^1 |1 j$ U+ Y: _- E+ c7 H1 {
oh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the: _1 h, w4 }3 d, ?
bargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring
! n, A3 F' A! M) Xto the table, right, because that will make you more welcome. And if you’re curious about what, K% m, c/ \0 o, R. d' n. R
zero gravity looks like, hopefully the sound will be working here. [slide shows videotape from, v8 Z. r% X8 N8 a* v/ W1 ~) Y9 V
Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,6 C) G, h+ W# k# L- B* Q" T
as the people in the video crash to the floor of the plane on the video] So, childhood dream number7 S' J/ {) e* M6 {' ~& z6 X1 `
one, check.
9 `3 K# y$ U2 c. Z* \/ ?# p1 {, Z4 ]5 NOK, let’s talk about football. My dream was to play in the National Football League. And most of
# I q# U" E" Yyou don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,
* N& y/ Z! f1 ^; sbut I probably got more from that dream and not accomplishing it than I got from any of the ones6 x( E, R6 J, B; J. ]7 Q8 Q+ t
that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in- V4 \4 i9 y8 N3 {9 S+ f" a
the league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker% h) @* X! B9 L9 z9 V
at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.4 j1 c: r4 h; l& Q0 c$ Y. [
Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first
0 B, r- b: i5 s' j) R4 M' Pday, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t
( E7 K1 q+ ~. R+ v' N9 abrought any footballs. How are we going to have practice without any footballs? And one of the
, g2 _) x! i h/ j& rother kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many0 Y; o+ u/ K* W& W( b Q
men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,
! L- [% f- s" ~* Xand how many people are touching the football at any given time? One of them. And he said, right,' @4 E2 B1 i# m( H7 A
so we’re going to work on what those other twenty-one guys are doing. And that’s a really good
. e* o5 \. W6 q" ustory because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got
" P& Y' [. u+ L8 t4 t( K% ato get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other3 L$ S2 b9 x* ]: L. C
Jim Graham story I have is there was one practice where he just rode me all practice. You’re doing
1 v* a. N0 Z* o) k! G5 z# vthis wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups
- `! W, [7 {3 [1 p6 b% }after practice. And when it was all over, one of the other assistant coaches came over and said,
7 ~6 }1 J7 M5 H. g7 b0 nyeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He H0 V) Y; Q, C1 i
said, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave- |- D% p! \# M* V$ e0 O+ i
up. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing8 _: P0 Q$ r/ ~
something badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your! O7 W1 C* y& e
critics are your ones telling you they still love you and care.
$ M3 {; P4 J( u9 W- yAfter Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of
5 J: m& G: _0 e/ Oenthusiasm. He did this one thing where only for one play at a time he would put people in at like. [7 Z) D1 \6 T" U" Z& A
the most horrifically wrong position for them. Like all the short guys would become receivers, right?
p& [: L$ J3 |; l0 y# pIt was just laughable. But we only went in for one play, right? And boy, the other team just never: Z; }9 U$ q% r+ V& p
knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where
& _9 a4 r! }! hyou’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going6 B. R& q$ [) A% Q6 z, s. G
to clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this$ U0 [4 }- T) g2 e
day, I am most comfortable on a football field. I mean, it’s just one of those things where, you
: i4 m3 e- t! g* k; b( nknow, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls, j' t+ Y0 ^ @5 m! U E
with one of these things, and that’s just because, you know, when you do something young enough% L1 Y( w" H3 g5 u5 N9 o# p* I. [
and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my9 i& z# Z2 B8 h" j7 \" n
life. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more
2 ]6 q8 N5 n4 r/ D- A' y. K. gvaluable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great
: k7 G* C4 r# k- Xright now.
# d7 i k4 n& O: ~OK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is
; G* I: z% ~6 ^4 O! d! J3 G3 v8 Jexperience is what you get when you didn’t get what you wanted. And I think that’s absolutely
0 b5 @ j' \7 G2 g1 ~3 X, flovely. And the other thing about football is we send our kids out to play football or soccer or
! y0 V/ ?% h% z8 O) e5 \: eswimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or. u4 C7 I/ J( ?5 z2 h1 g
indirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that
. m2 A* J5 t. q: C9 \I have a wonderful three-point stance and that I know how to do a chop block and all this kind of+ q' Z7 [/ Z& a; d* K9 [ X, `1 t
stuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,/ D% r& K' D. K3 i
perseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important.
* T( j3 p) @; |8 G7 EAnd you should keep your eye out for them because they’re everywhere.# ]/ M8 Y0 u" ]
All right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
. h( L: ?5 c- Y, }4 h, rthe World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these
. B, r/ e5 C. wthings called books. [laughter] And after I had become somewhat of an authority on virtual reality,1 K0 m/ v; l5 v4 o" ] |* n; T+ {
but not like a really important one, so I was at the level of people the World Book would badger.
2 `* g0 s5 ]) S# H& K2 cThey called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing
" K ^" M: i- h# s3 i" ~5 N; ~virtual reality headset manipulating a 3D world], and there’s an article if you go to your local library4 @, b% M- {" V' f5 {( O# r9 k, a
where they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And
' J; z$ z: E& I* Rall I have to say is that having been selected to be an author in the World Book Encyclopedia, I now
7 x) ]2 J6 w/ e2 B% ibelieve that Wikipedia is a perfectly fine source for your information because I know what the
" i( k, B- y0 i3 P# ^6 R& x, [quality control is for real encyclopedias. They let me in.
z) {0 E; A0 E- rAll right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you
( o& C R& G8 _3 _" J% h/ w. ujust realize there are some things you are not going to do, so maybe you just want to stand close to
- N& K, x9 k8 mthe people. And I mean, my god, what a role model for young people. [laughter] [shows slide of8 w4 J! n- n0 g; |9 j$ R+ K$ ?
Captain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you
6 g$ y! e2 d: c; z8 J# Fwant to be, and what I learned that carried me forward in leadership later is that, you know, he; w2 B3 O; R T$ Z$ J- M3 n
wasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and
G/ w: ~1 S$ E$ D+ LScotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing& G! ?8 c9 M% r1 [1 |7 Y
and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or
4 j" {( g+ l( L# L5 W& fnot you like the series, there’s no doubt that there was a lot to be learned about how to lead people
0 d2 }! d6 j7 h' cby watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of* F# o8 F: B7 \9 f) r
Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing4 g+ ~6 a* U$ ]7 z' w- i# }
[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just( m& A3 H. O) x$ ^2 s& Q
spectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of
6 k1 [! W# l9 @: z; |/ Ucool.
6 n. b; T. N3 k; A; R) kSo I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which
" w+ G1 j2 l6 ?6 k, ~7 KI think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author
5 F6 |6 l# u/ B Jwho is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
- ~ o0 h2 s" N; lcome true. And they went around to the top places around the country and looked at various things
8 ^% I3 z; ^2 t! Q- Vand they came here to study our virtual reality setup. And so we build a virtual reality for him, it& G% R" H7 c$ A6 T8 \* `' x% P
looks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it
3 P3 R" j$ [( \# i( U! d; jin, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming.
2 P" o0 \0 v4 a8 S0 L2 { B[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you
$ P0 s7 u# J; B) d1 Rto see what cool stuff you’re doing in your lab. And that was just a great moment.
3 z: u. ^/ L0 N$ @0 V" \( hAll right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and3 b( k9 t% V3 F6 f
you see the big buff guys walking around the amusement park and they’ve got all these big stuffed
# ^- J R' P* r; U: g O% Oanimals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.( ~3 E8 _$ p W: t+ f0 U" M6 L
[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
. S1 Y6 J8 ^9 @3 uI’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just
6 Q q/ [% t. {( h5 Ea big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally
, Z: n0 o2 H2 d5 k# {2 @; cmanipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid
! ^9 m3 P* A' |5 }1 |$ xsomebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this
" W7 j% _4 I& a7 V4 sage of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them
" C; C& |+ I8 x* i- eout. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them
7 Z; O2 L1 v' dback against the wall.
6 g) A5 [# Y; u# ^Jai Pausch (Randy’s wife):* q( n" f( T: K1 M( T1 k
It’s hard to hear you. [adjusts Randy’s microphone]6 A% x% d( i5 p1 \2 [
Randy Pausch:) m/ a) m) E+ g6 H8 R
Thanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving; P" q0 r8 \: _& t7 K( a) y9 X
truck, and anybody who would like a little piece of me at the end of this, feel free to come up and
% S2 F; H; R4 H) \* a% jtake a bear, first come, first served.
3 j4 L1 T0 I9 e; x6 P4 ZAll right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero3 M# b# F( i& {8 }- \
gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family
5 A& x+ E6 Z; b8 X( B4 [took a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s
$ b- z' y) z$ D# N7 r# KVacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And
" v8 G' i2 K5 d( u+ {these are real vintage photographs, and there I am in front of the castle. And there I am, and for% V3 L ?% O" O3 Y) O6 z8 }; x5 _- x" t
those of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was
# a! r. \$ ? y& Q4 O* Qjust the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,
' _: r" x. C' ^; b1 [9 g* BI said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.
$ ~# K; d; }- t! U8 J+ W0 f* Rfrom Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
) _9 w1 N* R2 g6 g/ ^my letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest- E3 ^8 N3 N9 H9 a" t$ W1 D
go-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your% J3 g/ D* X4 | J a" {
application and presently we do not have any positions available which require your particular+ F& E. b% V% D _
qualifications. Now think about the fact that you’re getting this from a place that’s famous for guys/ Y' S& n5 B0 U3 ^' a
who sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are6 j! p& Y1 H" b2 m* N9 c
there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us
0 P4 @3 v+ P$ z* t* Ja chance to show how badly we want something. Because the brick walls are there to stop the
9 R" y/ h' [1 D7 u! W% npeople who don’t want it badly enough. They’re there to stop the other people.
" L/ a/ H- Q$ \% dAll right, fast forward to 1991. We did a system back at the University of Virginia called Virtual5 i. t$ S* \, ~% T7 t3 q
Reality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared
# d6 x- [- L0 a4 W7 ~( Z8 Uback in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew
1 g6 i- V; w. ?% X5 t, mmy undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to
, c2 t3 |. b+ n0 @) F7 fdeath. And this icon in the user interface community walks up to me and just out of nowhere just
6 O7 s% Q! b5 ]( Igives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,
1 n3 m2 |' S; w9 Fmaybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable! {4 p, C2 ]0 b2 ?7 i+ b! m
hit because at the time, everybody needed a half a million [dollars] to do virtual reality. And
0 p7 N$ g5 N: z- T# b4 s4 Geverybody felt frustrated. And we literally hacked together a system for about five thousand dollars/ ~2 e2 f+ _( N, a) {
in parts and made a working VR system. And people were just like, oh my god, you know, the1 _+ r' m, f* \2 i' A
Hewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just! v: I! \3 R, ], G
gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in3 H; p3 Q& `4 z5 d
virtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know1 o9 m# E0 R" ?4 j
what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m
/ `9 E( N: ?* r% qsorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your
* k( z) ^( b. P0 aquestion, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little8 J4 T( e5 C4 Z0 t" E4 L
moment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]5 x3 U) w5 F2 L, y( X4 t8 W7 E3 a
And so Imagineering a couple of years later was working on a virtual reality project. This was top% Q& t5 r8 Y* q2 U( N8 w- j0 [
secret. They were denying the existence of a virtual reality attraction after the time that the) E# A- Z1 N2 J4 ~8 h' E
publicity department was running the TV commercials. So Imagineering really had nailed this one1 E n( Q/ D( s9 w6 t: l
tight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted0 p6 R- U) Z5 ^
display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you
; j2 @0 l- i4 o ?- s4 X# C9 jknow they start running the TV commercials, and I had been asked to brief the Secretary of Defense2 }% N7 x$ x/ j7 P$ o1 t$ O( q
on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of0 A1 K! ?! B0 c2 K1 f( B
Defense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m- {+ H( C# F& C
briefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
" ~1 Y4 z3 F ibest VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism& B2 w3 b( a0 e$ K
stuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR
5 |; F; c0 X9 I: Y( Y. ]$ idepartment doesn’t have any footage for you, so I’m going to have to connect you straight through8 B# O2 P" F% Y
to the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy5 B/ \6 J0 G1 \
who is one of the most impressive guys I have ever met, and he was the guy running this team, and
- q, ]. ^# }7 R: b& h+ pit’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly# M- z. w% d4 h/ d) l3 ]; \9 e" F- b
and he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,
! z2 j/ |8 M1 Z3 X1 awould you like to get together and have lunch? Translation: I’m going to lie to you and say that I% I) o7 @8 m- K! ^! ~3 X2 \* Z2 h
have an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have4 M9 M3 f6 C/ ~) _0 w
lunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all
2 {) g$ ?' f3 P$ L# z' x2 J# t( Xthe VR experts in the world, saying if you had access to this one unbelievable project, what would$ X4 X9 d# a* \) ]( ] s
you ask? And then I compiled all of that and I had to memorize it, which anybody that knows me
$ y+ O7 h: L8 ]! X4 Jknows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in
; o$ l% J! x o+ \; tdweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have' m5 d" d- {0 g4 J, l7 Z
thought he was talking to some phenomenal person, because all I was doing was channeling Fred
1 ~0 P, y2 x) {! B- G& GBrooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty, B4 t' ~( Z& F1 c/ l0 A6 t5 M( I
easy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort( r. Z- X' V6 f
of, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.6 H% @# ~: A' R# |5 a, }% n+ Y
And he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him6 a {4 [( H6 p3 P: ^
about the possibility of coming there and working with him. And he said, well that’s really good7 f: A- L6 z9 Z
except, you know, you’re in the business of telling people stuff and we’re in the business of keeping( ^5 J! ]; A) u9 z3 L
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I1 `: a0 k8 [. T9 Z
really loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just1 \! a! `# }8 s8 |( e& }8 p8 d# C
on what have I learned from Jon Snoddy. One of the things he told me was that wait long enough
% j2 N9 r3 j# W& X. ^( Iand people will surprise and impress you. He said, when you’re pissed off at somebody and you’re: B3 c. Z H* S# h
angry at them, you just haven’t given them enough time. Just give them a little more time and
6 M2 ^& g& J7 t5 U4 ~8 @3 l7 ithey’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on
$ I2 f8 d; ~% w2 @# s3 zthat one. So to make a long story short, we negotiated a legal contract. It was going to be the first –# ]4 F7 S6 o; H2 r$ ^
some people referred to it as the first and last paper ever published by Imagineering. That the deal; g5 L8 n1 V" M. \: Q+ m
was I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.
2 t$ D3 q; q% B8 w: _; BAnd then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all
! I4 l( A7 F7 Qsweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns v, L* G9 H6 m5 y8 s. p
out that the person who gets his head on a stick is a dean back at the University of Virginia. His9 h4 u5 @' S! W' u% n1 I$ B, }# ]6 z m
name is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting
" f9 L3 X$ _/ n" pwith me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to, U) K4 v# _* @5 L
let an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a7 _9 m; P' A# T7 t: c) h
possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
. Z# E( c5 A* |' e( [says, well it says they’re going to own your intellectual property. And I said, yeah, we got the
0 ?7 U& P8 b$ L; jagreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,! ?7 _/ ^4 @$ R7 O( x7 ?! _/ a
but you might. And so deal’s off. Just go and get them to change that little clause there and then
! |2 p4 W9 g7 V" kcome back to me. I’m like, excuse me? And then I said to him, I want you to understand how8 |; _; p N+ Q2 p& |9 {
important this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just4 K2 u4 N* Q4 G E' n0 a
going to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I) T7 Q- e% T% W; A
mean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s
" F3 J. |: ^) T+ f Y9 Lnot going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And5 t* U: h5 ]8 L- O6 i
it’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this.( z+ y! q2 ?0 [
Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,8 n" N7 h: i/ x- b- t
[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?* |. t: w) F4 \# [9 Y5 b) c$ T
Isn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true.
7 p6 w8 G6 m5 @* V, Q o. ]I said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.2 a8 ~) G" y: c& @4 B
Coyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most0 _3 `5 W2 D, @% [! U
fantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,
5 y: [1 @" [# w) m3 n. Nsince I don’t want to have to back out again. So let’s start at the high level. Do you think this is a# f0 w5 S: e6 [* v
good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.
; w# C8 y1 Z% g; f# {$ h& ?- O4 eAll I know is that one of my star faculty members is in my office and he’s really excited, so tell me4 A, u. _+ [" l4 F
more. Here’s a lesson for everybody in administration. They both said the same thing. But think/ e0 u9 k9 n9 X: F9 l5 r
about how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I
! t& h/ S7 e8 T% M e* C& udon’t have much information, but one of my start faculty members is here and he’s all excited so I
9 Q* x6 p; K) O* @! Xwant to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad. L. _* q) [& z, f
way. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s
- c3 `2 a S4 l3 |- [4 iwell that ends well.* T$ u( @) X: D! L7 q
Some brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely
! U" R0 @! i" k" W& e- lspectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher
: d# t6 n, d: K, U v2 pon Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.
# i' t9 t" Q% n, K2 r5 Y* QAnd you would steer your magic carpet and you would put on the head-mounted display. The headmounted2 M2 g' K# P$ n' J0 y1 @
display is very interesting because it had two parts, and it was a very clever design. To get# ?- m. y9 ?$ d9 q
throughput up, the only part that touched the guest’s head was this little cap and everything else# N" t6 ?- \0 v, e
clicked onto it – all the expensive hardware. So you could replicate the caps because they were
) R' G `/ g1 ?0 T! i& Bbasically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is
! ]& }& l' |+ K) a1 ]% M+ Z/ N6 _I was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular
5 p1 v5 |8 Y5 [( E& Pplace. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling
2 s- b* ~; F Oaround on things the size of this room that are just big physical models. It was just an incredible
2 q2 C9 O2 b7 Z# e9 ~8 f* zplace to walk around and be inspired. I’m always reminded of when I went there and people said,7 Q" T! B5 |, C, i# L
do you think your expectations are too high? And I said, you ever see the movie Charlie and the: z7 r! f7 o( h8 h/ p! k% I
Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little$ ?" v& Q c) c9 Q% w( ]0 e
boy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever
! B7 u8 Q* G* }. d, ttell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get: [' a& S: P3 X% ]) s
like saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever
1 K8 W3 u3 f: ^+ X) ~! V5 Xafter.” [laughter]
s* ^ t! y1 z# v8 O) G2 QOK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I
+ D7 N3 p9 @+ i" f) a7 Y( Ostand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got* g8 E# D6 s: H- x8 `+ c
to be a part of it. But it got me into the place of working with real people and real HCI user interface1 i2 r2 k( R2 K ?
issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters: h9 i! V9 n( a/ F+ A/ P
degrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And
+ |7 I, g. T7 i5 n1 Lmore than anything else, from Jon Snoddy I learned how to put artists and engineers together, and0 \, L# y% y4 m4 ?! }
that’s been the real legacy.
( S5 W" A3 {- L9 zWe published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at
. g3 u, Z$ v! _Imagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of" g. [+ Z" G5 G: f# m
first page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH$ u" e, h6 P$ V
committee, which accepted the paper, it was like this big scandal. Are they allowed to do that?! n, u! h; E' z/ m6 v R6 ]6 R
[laughter] There was no rule! So we published the paper and amazingly since then there’s a
1 O3 Z/ `( T6 u1 mtradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a
; d, e: K( ^3 |/ r, w1 x& g2 i" lsmall way. [laughter] And then at the end of my six months, they came to me and they said, you2 F- m, y2 y: r# x( q, }: K' U {
want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised$ r; c) ~3 k: }; m+ e6 i
my father. He was like, you’re what? He said, since you were, you know [gesturing to height of a5 ]( _4 G2 f0 y& S4 n6 [' R
child’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of
$ e& E9 x$ @8 m& _Maalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.
6 S: K8 V, ~, rImagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the
8 ?' K7 C" d) V+ [middle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.
" {8 @8 `" N/ U' x: mAnd if they had said, stay here or never walk in the building again, I would have done it. I would8 ?! U* Q# ?5 N U
have walked away from tenure, I would have just done it. But they made it easy on me. They said V \5 W- K- ^+ U! [3 J% {
you can have your cake and eat it too. And I basically became a day-a-week consultant for
" ^. Z0 Y! G6 q, P UImagineering, and I did that for about ten years. And that’s one of the reasons you should all
: x. B$ Y, y' d( Abecome professors. Because you can have your cake and eat it too.0 L! ~8 ~& D4 l; _
I went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the
8 M) N- |; I, U% l d# l9 C7 nbest interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the
' } g3 y# L7 Y+ S* }Caribbean. Wonderful at DisneyQuest.4 i% M2 e& L% Z/ y/ W! V' x
And so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the
* \4 ^# E9 i' g/ x% _question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I
' m/ N$ G% {8 j+ j& ~" H7 }became a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I/ e6 ]" [1 f( G+ ^) e
don’t know. That’d probably be a good close second. And this started in a very concrete realization" B1 t. h$ S6 R9 a$ J
that I could do this, because a young man named Tommy Burnett, when I was at the University of$ W% |2 ?3 ~& t* l
Virginia, came to me, was interested in joining my research group. And we talked about it, and he6 O8 }' q& C0 ] S& g% ~
said, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you./ P+ w6 `, e1 d$ h% f! ^
And I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star
2 W; j B# T# hWars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.3 M( s6 E4 d% ^/ F3 T# t- G) P; ~
What year would this have been? Your sophomore year.
9 c( L7 b/ ~6 [9 t# O1 ~Tommy:
' X4 o/ D0 I4 p o4 u* PIt was around ’93.
! s+ z# o7 o" b6 XRandy Pausch:, }5 g& S3 [9 z. ?& {7 p$ Z
Are you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,$ e4 i( O$ `1 J9 c% @3 b, n
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY: t2 S. o6 d4 N' g: Y
ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff
! I* v7 [5 t: d" K# b- rmember, and then I moved to Carnegie Mellon, every single member of my team came from Virginia
, g! q& R% P* K" D; ito Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all
p0 X. y- {+ C3 i qthree of those films. And then I said, well that’s nice, but you know, one at a time is kind of
+ }2 L, i$ O. |7 y; U$ Z/ binefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in
6 j; R5 l4 L f$ t" W0 O W$ p( Imass? Can I get people turned in such a way that they can be turned onto their childhood dreams?3 G5 C" }; H* X V/ P7 \" p% [
And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual. Z4 ]; E( d7 z7 D# q# v' E" k
Worlds. It’s a very simple course. How many people here have ever been to any of the shows?
1 p; x$ E$ C- r* I- g& a[Some people from audience raise hands] OK, so some of you have an idea. For those of you who
8 G0 c k, f7 F* H# T+ V) r+ ^; |; Udon’t, the course is very simple. There are 50 students drawn from all the different departments of, q- x5 p, C, B/ }/ T
the university. There are randomly chosen teams, four people per team, and they change every
; B0 C4 [& E6 t/ j' p. u9 ]project. A project only lasts two weeks, so you do something, you make something, you show& z ]& \. _* p5 k# ?' J8 b: Q
something, then I shuffle the teams, you get three new playmates and you do it again. And it’s
! Y% n. e9 F9 ~every two weeks, and so you get five projects during the semester. The first year we taught this
; U: E. `1 ~ ^ }! }- ~course, it is impossible to describe how much of a tiger by the tail we had. I was just running the4 Q& h) W: T) z C
course because I wanted to see if we could do it. We had just learned how to do texture mapping
) X! s# n# S. @* ~. F. Y& v4 Hon 3D graphics, and we could make stuff that looked half decent. But you know, we were running4 f: Q6 L. ?# k2 `5 F0 {% \
on really weak computers, by current standards. But I said I’ll give it a try. And at my new university
; h" U3 b+ a5 ]: ], m- @[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all
5 M, h+ G! a4 I1 ^. e. ethese other people. And within 24 hours it was cross-listed in five departments. I love this
& @ s4 ^$ ~$ cuniversity. I mean it’s the most amazing place. And the kids said, well what content do we make? I3 e# F) {, E2 W9 y2 k# m& b6 D' f
said, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no
/ f1 l: c( {# X8 u- P: A% Ipornography. Not because I’m opposed to those in particular, but you know, that’s been done with
9 v* m& S- ^& U/ fVR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas
9 T F: G5 Q# D! }1 z, Kwhen you take those off the table. [laughter and clapping]; y% V2 l& q* Q; c% m+ m3 o
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two
# G4 G) U7 c( V' M, P( S9 B; |7 rweeks and they just blew me away. I mean the work was so beyond, literally, my imagination,
% Y k- T9 b9 P* wbecause I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
7 x, X' F' V( b; Y" W8 D0 Zcouldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first1 N5 `8 S# `6 f6 O
assignment, and they did something that was so spectacular that I literally didn’t, ten years as a- x8 K) v( ~- ]7 m
professor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van. _, X1 q: @7 }9 ?
Dam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I; L. Q# h# M: H
had given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]# c, B) f. @8 t3 c% \% P* y$ H
And Andy thought for a minute and he said, you go back into class tomorrow and you look them in
, B2 e+ }/ b. q0 Y sthe eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that
- {8 h1 Q( n, Z: S1 Ewas exactly the right advice. Because what he said was, you obviously don’t know where the bar
/ E: m+ C# b- W- ~. }! f# y8 rshould be, and you’re only going to do them a disservice by putting it anywhere. And boy was that
/ s' C* K3 C2 fgood advice because they just kept going. And during that semester it became this underground
9 j9 s Y3 a0 F D# q* c5 Kthing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it3 J/ R8 k! w- d2 K7 Z0 d: p# f5 d
was the day we were showing work. And people’s roommates and friends and parents – I’d never5 |2 g* d2 y9 f' h
had parents come to class before! It was flattering and somewhat scary. And so it snowballed and n, `7 P% I1 E" y# P
we had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,3 R$ \2 G( ^, m7 }; d6 r; s
it’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big7 F9 t' l3 b! F5 o* V' n- E" v
show. And we booked this room, McConomy. I have a lot of good memories in this room. And we
8 Z. j. t7 j1 h9 W3 U9 p( Ibooked it not because we thought we could fill it, but because it had the only AV setup that would
) I# N9 i# \/ b3 g" J+ w% ework, because this was a zoo. Computers and everything. And then we filled it. And we more than
3 I0 B& K' Y$ l. V; rfilled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris
% j- \# B5 u9 m) Vwas sitting on the stage right about there. We had to kind of scoot him out of the way. And the
5 w, O) D4 T$ M, ~0 _energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry
7 {/ S' o/ D& k- w0 H- ~; V- pCohen was there, and he sensed the same thing. He later described it as like an Ohio State football
* B( A8 D j$ o) G# Y% Xpep rally. Except for academics. And he came over and he asked exactly the right question. He
9 ^6 T x7 B( K2 vsaid, before you start, he said, where are these people from? He said, the audience, what
- [6 B8 [8 y+ C/ w6 n" ~* C; Wdepartments are they from? And we polled them and it was all the departments. And I felt very
( o' ?8 F8 O) Zgood because I had just come to campus, he had just come to campus, and my new boss had seen in
* D( }4 F0 y& |+ M. }+ Pa very corporal way that this is the university that puts everybody together. And that made me feel- h; Z+ s( m- N& b v8 T* h* t
just tremendous.
. d# U- t; z: z+ u' w" HSo we did this campus-wide exhibition. People performed down here. They’re in costume, and we. L1 \6 W6 z. y5 J& j
project just like this and you can see what’s going on. You can see what they’re seeing in the head
& K1 i. m2 D: g) \9 ]; z: |! p+ wmount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]! C" h$ [' ] }( u4 P
This is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the
! f4 c# E5 T6 ]0 o2 Kmoon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can+ q5 i3 k6 |" ]: ]( }0 i( d* f
get the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do
. L. B3 a# X3 t0 K ^6 k6 s# vour best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It3 h$ E% d7 t4 ^# q% |9 p3 z9 c `
was an unusual course. With some of the most brilliant, creative students from all across the9 A: y6 Z! p; U+ ?9 X* _& d9 m* C
campus. It just was a joy to be involved. And they took the whole stage performance aspect of this
# o% ~6 }; I/ Eway too seriously [shows pictures of very strange costumes students wore]. And it became this
0 n# u4 f; O( `% |campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids
U5 j% D( H# |* v# F# Ca sense of excitement of putting on a show for people who were excited about it. And I think that
( f% Y. ~! @2 y! X5 Q( s: V* j) d+ Uthat’s one of the best things you can give somebody – the chance to show them what it feels like to
% e% Y' w# a2 v8 r2 r% s* smake other people get excited and happy. I mean that’s a tremendous gift. We always try to
$ @; k) I/ w' h0 u) q8 ginvolve the audience. Whether it was people with glow sticks or batting a beach ball around… or- D% r; i4 L9 B' F) r
driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.& ]4 L. X8 ]. T. a$ V
This technology actually got used at the Spiderman 3 premiere in L.A., so the audience was
4 I' B" K6 k7 Lcontrolling something on the screen, so that’s kind of nice. And I don’t have a class picture from
. u( R) S6 J& j4 Z I" p9 mevery year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an
/ Y9 m9 S; f# J# khonor it was to teach that course for something like ten years.+ f* M# I B, v
And all good things come to an end. And I stopped teaching that course about a year ago. People' s) o/ t3 o1 T# B% x8 Y' B/ l
always ask me what was my favorite moment. I don’t know if you could have a favorite moment.; U ~$ ^: t7 `1 C e, u
But boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one
0 r% }/ c& x5 H+ e3 Fof the rules was that we perform these things live and they all had to really work. And the moment
* I( h7 y+ |/ s: W9 }3 Fit stopped working, we went to your backup videotape. And this was very embarrassing. [Shows
5 m* N: K0 U# r, ~; F2 E/ P) n/ Rimage of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller
7 c; B. H4 J1 ]' F- e) A6 Iskating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was
4 S8 b* d# f& A! ]3 |. FSteve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk
( B2 V: z; ?% z% Mabout quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to: p" B4 M$ h7 z7 q/ d) ]6 v% k
videotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!0 l7 y, M$ H1 {6 ]* \0 o
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of+ o3 {4 J" j- E) t& m2 k, ?
this high technology course was a brilliant ad lib. And then when the videotape is done and the2 s3 R! G. f, A% k' T) l& |
lights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a# f1 N0 \3 t+ [! Z( R( J
fantastic moment.1 |; y! X& ` b$ [$ ^
And the course was all about bonding. People used to say, you know, what’s going to make for a
1 K# f. W& B9 D& T$ Ogood world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the9 B! M1 E* \/ ?2 ]3 S
world’s good just by the body language. If they’re standing close to each other, the world is good.: d% I. m5 B! p! @9 O* {, P8 W; x
And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I
3 G' J$ h! E( Uwon’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped( [* l0 \: P, z/ J. E
down from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you
8 s) j/ ~+ o" N6 fwill get those arrows in the back, and you just have to put up with it. I mean everything that could
1 s- ^; A# E1 h7 u1 a, |( U9 z* @8 ?go wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.% w" {9 F2 p" H% u
When you’ve had something for ten years that you hold so precious, it’s the toughest thing in the, J8 S' I& Q' w9 y
world to hand it over. And the only advice I can give you is, find somebody better than you to hand
/ K( Z! Z9 x) U; r/ G9 Rit to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have
3 H8 q4 _2 d% j+ eto spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my
5 v0 M% S9 P8 }+ @2 y# Bgreatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica
/ {; a; o" M1 ?0 ?6 ~! OHodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this
$ e2 i: N$ a0 Rover to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is$ E: }% H9 N5 \; A3 S
in more than good hands – it’s in better hands. But it was just one course. And then we really took
) D h5 U6 s7 o0 X ait up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I
" p) C# m* {6 D* h, Fgot together and with the university’s blessing and encouragement, we made this thing out of whole- I" h/ P2 H. ]- M7 C1 [* G$ N; l) P4 T
cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go
6 j/ t5 u8 U8 \% ~- A; F7 U( Jnear this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology* f* l" T# w+ K4 A
Center was all about artists and technologists working in small teams to make things. It was a twoyear% H; j4 d7 m, U/ B! o, H' P1 d# S( G
professional master’s degree. And Don and I were two kindred spirits. We’re very different –/ U/ q I i- G3 l; c+ x9 o% v! j0 a
anybody who knows us knows that we are very different people. And we liked to do things in a new
0 ?* B N, b1 n& iway, and the truth of the matter is that we are both a little uncomfortable in academia. I used to
& H9 G$ `+ {- `1 c2 y+ zsay that I am uncomfortable as an academic because I come from a long line of people who actually
[) R! z' l$ c; F/ @$ |worked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie+ }* C0 g% J: Y" s
Mellon is the only place in the world that the ETC could have happened. By far the only place.
* w5 C( ~6 h% X3 M {$ m$ B# `[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next, a' }, x. P5 b/ t- d' H
to Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the$ l. Q% F5 T y
labels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer+ K. T& R( x; P2 ]. i. B
to this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really4 @3 _. ^3 c2 w2 A9 F6 T; Y6 ]
did play up the left brain, right brain and it worked out really well that way. [Shows slide of Don
; y5 Q9 l( q3 T2 p/ U. dlooking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small; w# Z2 J6 y6 P n
office. We shared an office for six years. You know, those of you who know Don know he’s an
- d" c( \: h7 g r) ]8 p* Hintense guy. And you know, given my current condition, somebody was asking me … this is a
! \8 O& o" |# |) aterrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,
/ B4 n6 K3 G. T8 \6 c* S# T: k: y" cgiven your current condition, have you thought about whether you’re going to go to heaven or hell?. h0 U. N; L- `: ^
And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.0 n+ ], l! y# r3 q
Sharing an office with Don was really like sharing an office with a tornado. There was just so much' t* G+ @1 C3 Y% g8 \
energy and you never knew which trailer was next, right? But you know something exciting was, j/ o5 T3 z4 ^! Q% M
going to happen. And there was so much energy, and I do believe in giving credit where credit is7 `( w8 m. t i3 E- t* H! ?
due. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets
% U7 w/ @9 g7 C4 K) F9 qthe lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share
2 j6 \6 c) Z% iof the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great8 g3 [, r* o3 P* {5 `# c1 R/ n
yin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him5 }2 |" e) L) U* P$ x
because the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk6 k8 k9 W) g( ^; C% k( O# T! d
about that in a second.
! S* P. H& B" lDescribing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
4 C! o& V3 H$ Adescribing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the3 u: z5 v$ ]+ h9 w' E6 H
mistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation6 ^# v# F" k7 E: Y4 N
about oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole
2 Q+ N" |# j- ~/ S" Spoint. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve2 O6 w* O7 \! D- a; z0 J! } L( f
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only% h5 E( @# l4 t' X8 o9 ]; C
course each semester; audience laughs] The curriculum ended up looking like this. [shows slightly
6 y- g: {7 V3 I. X# Nmore detailed slide]. All I want to do is visually communicate to you that you do five projects in1 Y: C$ v! K6 |
Building Virtual Worlds, then you do three more. All of your time is spent in small teams making- _5 X+ l: _9 p# z8 I
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s
7 D8 ?8 O6 }" [$ l* f. Ia master’s degree. They already spent four years doing book learning. By now they should have
2 Z2 M) C) H& P' {read all the books.
) ?4 ^! k6 v7 A O" k; }: [. uThe keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
0 x. @. O1 Q5 ? xhad no deans to report to. We reported directly to the provost, which is great because the provost$ T0 v: |" O0 o9 r) K
is way too busy to watch you carefully. [laughter] We were given explicit license to break the mold./ V4 @ T: x" U8 G- \
It was all project based. It was intense, it was fun, and we took field trips! Every spring semester in
! ?/ x9 I7 _6 L" P8 z/ nJanuary, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial
. F2 i. T; O Q: {; G8 bLight and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s* q2 |" J! m# C1 [- s
pretty easy to get entrée to these places. So we did things very, very differently. The kind of
$ y5 G/ G* y/ i o: Y6 rprojects students would do, we did a lot of what we’d call edutainment.
+ G3 V' a0 y, A. c* m+ S: fWe developed a bunch of things with the Fire Department of New York, a network simulator for! M$ k# U" E$ u8 q: p
training firefighters, using video game-ish type technology to teach people useful things. That’s not7 [1 i, E" ~8 R8 y! M2 E2 C
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve
7 [0 |6 R) @" S9 S" F* Qgot the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.% W# k8 G5 z# D" q: i3 h
[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written* Z, W2 I, X0 A o) A$ O* W
agreements. I don’t know of any other school that has this kind of written agreement with any# ~( }$ x4 I0 P( z
company. And so that’s a real statement. And these are multiple year things, so they’re agreeing to* p9 U2 G- a% \5 c% v; }0 `
hire people for summer internships that we have not admitted yet. That’s a pretty strong statement. C O: @! k% p
about the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful
/ x& q! r( ~. B3 H7 Y% W6 Z- z1 X% _complimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight
+ L4 P$ D! e4 ~# R0 vbecause he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already
' k- i: ^- o% _0 Con in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I: S3 ^) E( c* F& b! F2 e- S% y$ C* h
think this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon
% J& m: z# q! }+ W% Y, Z# Qis the only university that can do this. We just have to do it all over the world now.
& A# z) R9 I. eOne other big success about the ETC is teaching people about feedback [puts up bar chart where
8 Y# V/ z9 o( ?! q/ z9 istudents are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the. _9 C5 }5 J. `4 u" i ?$ B
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar
5 u8 ` d( ^* N5 W' n. jcharts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put
% {# h6 J3 _; D2 }# c2 ethat all into a big spreadsheet and at the end of the semester, you had three teammates per project," D9 C6 ?3 A! E1 b8 o
five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a
& ^4 S- U" @. j$ _ f. Pranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard) Z" u- \* n0 |7 a5 c
feedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and
5 |% m ~$ D1 f( ]( q( Z) Mwent, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in8 b1 E% n5 C, w7 G
these meetings. And that is the best gift an educator can give is to get somebody to become self
; S8 z- G' h+ Y6 o7 o9 E U# xreflective.0 M2 ~( Z0 ]7 F" K
So the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very) o7 A1 V+ j1 z* L% W8 [: f
labor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time." Y {' J( n: {9 a, x% i
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.
# d, p/ K r7 wScalable to the point where millions or tens of millions of people could chase their dreams with3 L+ X% |$ d# \! x
something. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on
( z& g7 @# m" @4 ya Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a, ~' V0 l. P, z, ?4 l- F5 u( q ^
novel way to teach computer programming. Kids make movies and games. The head fake – again,
6 y+ p1 K O: ?9 e/ d/ |/ lwe’re back to the head fakes. The best way to teach somebody something is to have them think$ h3 ~: o3 N! f# H. _
they’re learning something else. I’ve done it my whole career. And the head fake here is that5 r+ ]. p# G }" w: k3 k3 a
they’re learning to program but they just think they’re making movies and video games. This thing
" V, j+ o; @5 U& mhas already been downloaded well over a million times. There are eight textbooks that have been4 i1 U7 U" R! p& L+ G/ Q
written about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The
8 G# [2 M# N' z5 ^good stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get5 m0 x9 _) h! \- E4 O# N- Q
to set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having
+ \1 ~# n" P7 C6 C2 I) @* Z, mfun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next' `( P! v6 O% |1 t+ x8 ^
version’s going to come out in 2008. It’s going to be teaching the Java language if you want them to
3 W6 x6 L' Y, E2 b g& Wknow they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And, s' l& ~; v( }) ~6 }" e5 d
we’re getting the characters from the bestselling PC video game in history, The Sims. And this is
& z; |# u1 t9 i: @7 dalready working in the lab, so there’s no real technological risk. I don’t have time to thank and
& W. k+ z) d; V, E% v" vmention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be A( s) g- \ d9 e2 p
building this, has been building this. He is the designer. This is his baby. And for those of you who
8 h0 M% U3 L9 Iare wondering, well, in some number of months who should I be emailing about the Alice project,
0 l$ K9 ~+ N9 Y8 g; ?1 \where’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.( }0 i6 B, N, ~4 y) A
Audience:
# p: k5 R F' sHi, Wanda.7 f1 g4 \$ y C, H: j- s8 i
Randy Pausch:8 E! y0 O' n7 P0 _
Send her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her
, a8 l( j3 e9 wPh.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to$ c# M/ T. k9 O% l( L1 r: G
middle schools with it. So, grand vision and to the extent that you can live on in something, I will% `' Q" M5 ]. e& P$ |6 z6 \
live on in Alice. {0 @( Y2 {; Z( M
All right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve
4 p; z" ^7 J; U( p# jtalked about helping other people enable their dreams. Somewhere along the way there’s got to be8 }" ~4 c3 I# b- e1 P) g$ L7 n5 q
some aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors
2 A0 P/ s3 o& |2 H$ s D7 Pand students. I was blessed to have been born to two incredible people. This is my mother on her
8 J6 Q& m" i v t% d( _. v$ ~ H70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]
+ g- f3 f6 U" q5 j5 X( @3 ~[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster( L/ a& S7 S) R# V N3 y* P% }
on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented) a; A4 `5 ]! L; z2 x
because he did win that big bear the same day. My dad was so full of life, anything with him was an4 \2 V/ B- w' s* O' e
adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,
+ K( g7 G4 e+ }' `+ i: ybut I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things! L2 i) p" `' r
to help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every- D) }# f+ k+ c5 b% U/ T) X' _" b( Q9 {
year about 30 students get to go to school who wouldn’t have otherwise. This is something my wife
' l8 n$ r* M, B( e: ^" {4 Q8 u7 I" [and I have also been involved in heavily. And these are the kind of things that I think everybody
9 v( D8 J; E, Gought to be doing. Helping others.5 j, `/ o4 \3 c$ v2 t, F& v& y [
But the best story I have about my dad – unfortunately my dad passed away a little over a year ago
# z( L9 [. p M' i* r– and when we were going through his things, he had fought in World War II in the Battle of the
7 ?/ B2 R V/ B7 XBulge, and when we were going through his things, we found out he had been awarded the Bronze! `) U; O8 i1 f* S2 R7 {6 U
Star for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.
6 f, H" q4 |7 ?( w' @* [My mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people
. F0 Y" a3 u# J; @* t; K* Twho love even when you pull their hair. And I have two great mom stories. When I was here
5 _: ~& o2 ~4 U5 [9 ^ U8 Jstudying to get my Ph.D. and I was taking something called the theory qualifier, which I can* p/ k0 ?# p' n5 O r6 J; t
definitively say is the second worst thing in my life after chemotherapy. [laughter] And I was. _* Z" {: U, V6 W! B5 [9 u: ]
complaining to my mother about how hard this test was and how awful it was, and she just leaned8 @3 y# e7 \+ Y3 A( y
over and she patted me on the arm and she said, we know how you feel honey, and remember when
/ L) B1 X7 i, w' l" c0 {your father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother; ^7 c* [) Q/ w# ^& y ^
took great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.. z6 P. w9 ^. Q3 P) R/ C7 r, I
[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I
7 s- t( W, {% A2 Hdecided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an
5 E+ {+ Z, M2 h; B n; T6 \elevator. And the great thing about this [shows slide of quadratic formula painted on wall]
1 j3 i/ R5 T. a, f, t! _[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And' {9 M3 Z0 G8 L% ~2 l7 I2 g
they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And
* H0 {" Y, M m4 ~4 p. hanybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me
2 R. o, f$ _: @; U% ulet them do it. It’ll be OK. Don’t worry about resale value on the house.* `5 Q4 F5 ~# M0 `8 N
Other people who help us besides our parents: our teachers, our mentors, our friends, our
' `4 W6 U5 L) w3 u9 j( r, b! o1 f6 rcolleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he
# W2 s7 y: j* u: `+ Dwas on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a' ?0 ^ }. H' A/ K$ s! x
centaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but
E' v! Q* W: W' lkind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching" u( V- l% D% I) K
assistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some
! ~* T8 m* w; t# Q5 {/ aoffice hours and of course it was nine o’clock at night and Andy was there at office hours, which is
; y- P: { h* Cyour first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
3 c2 {) V; `3 \0 T. zI’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da8 Z- V* g4 f v3 F4 u) A9 O
da. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
3 n* F" N, B1 eput his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame
7 G% r3 y- [$ T/ K3 Jthat people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to% `9 a/ D" w1 _/ ^) M& R
accomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t8 q @2 |& x# ?, w- o/ y, G
say you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going- Y) d$ z5 y3 M1 s6 t0 z$ l) T1 n0 O
to limit what you’re going to be able to accomplish.
i5 {4 ?/ k# R* w5 N/ ]When I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you: o. c, N8 j* E
Andy stories for a month, but the one I will tell you is that when it came time to start thinking about0 z. x2 _) D, \
what to do about graduating from Brown, it had never occurred to me in a million years to go to! h" ?' d2 |! O! u5 n. h0 b9 n
graduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did./ V% {% T; v% j g$ t" N
We got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.
9 |$ `; d0 G$ {$ r2 dBecome a professor. And I said, why? And he said, because you’re such a good salesman that any1 u8 y/ P: W$ f8 i+ l! N, ~
company that gets you is going to use you as a salesman. And you might as well be selling
8 \" D. c$ Z# I1 ?5 G0 i/ k: Jsomething worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.
: k* x/ H U; {+ a v4 g1 NAndy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of
1 i3 g- s* C& Z1 [( ]' T0 T1 }various bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell
$ Z" W! w3 l7 G. n& B+ Z) @happened there. He’s probably watching this on the webcast going, my god he’s targeting and he
5 U6 Q4 H/ G; c& @* O+ fstill can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they8 k1 N6 [# z. X" p/ w' n
were great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to
- e/ M7 R7 J. |4 h7 oendure that experience and I’m very grateful to all the people that I ever had to have worked for.1 z2 |' A6 o. q
They have just been incredible.& J/ I& @$ p g3 k, D, W' p+ ^
But it’s not just our bosses, we learn from our students. I think the best head fake of all time comes- y$ ^% W5 E# I* ~
from Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at3 k; y& X- f6 `
Washington University, and she looked at Alice when it was an easier way to learn to program, and. i) U) r5 z" S1 i. B/ t& l
she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the0 c# S" H$ [+ T; j, z
little toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the
0 {5 K+ h9 @# N) l$ |one who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work
+ v- t7 s8 s! pshowing that, particularly with middle school girls, if you present it as a storytelling activity, they’re$ I4 \; a" l% T* P' [1 [# G
P a u s c h P a g e | 19! p0 s4 ~: }- ^8 q) e
perfectly willing to learn how to write computer software. So all-time best head fake award goes to
- v8 i: }1 A1 W7 c- w1 d: xCaitlin Kelleher’s dissertation.0 Q+ z0 L: M1 R- I4 p6 E
President Cohen, when I told him I was going to do this talk, he said, please tell them about having# S+ ]6 [* a9 L: @8 h1 k
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish d) Y7 y0 ~- P* s. _
talking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m
8 _7 Z/ ~2 M qhaving fun. And I’m going to keep having fun every day I have left. Because there’s no other way to; w. Q4 ?- U6 f o, b. g! O
play it.: A# |. W7 Q( ?# W6 M# e3 |/ ?, C
So my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide2 ^0 d7 i8 z1 {' a, a. k
with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m, m- b2 m. g) A0 U* o Y
clear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.
% Q# m% y. k0 A6 T3 F6 n9 E" NIt’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping- U& _7 |# Y% w; n
other people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a
$ ^, U1 F) K8 v! @& Y! X7 N! [group, how to care about people. M.K. Haley – I have a theory that people who come from large
9 k5 \0 X$ R j u* H# Sfamilies are better people because they’ve just had to learn to get along. M.K. Haley comes from a
* B1 f' v$ ]* M4 _family with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s
1 s( \, z4 l$ ^( Wkind of fun to do the impossible. When I first got to Imagineering, she was one of the people who
% ` M1 J6 N/ M8 P4 ^) a, Tdressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?
! ^# n, h S/ l( o+ WAnd I said, well I’m a tenured professor of computer science. And she said, well that’s very nice+ K' v1 q; K) m/ r1 W$ Y
Professor Boy, but that’s not what I asked. I said what can you do? [laughter]
7 \! g M0 x# P) j ~+ S/ V1 hAnd you know I mentioned sort of my working class roots. We keep what is valuable to us, what we# `; K9 y1 q8 a- [0 N- }5 q
cherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s
* n s' I0 n! h0 X: u. t0 a, Ejacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why
: M) ~( l6 {( R) k7 l( N! Mdo you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me
) \+ M5 V1 M( Q0 swho were much smarter than me. And I said, because I can. [laughter] And so she thought that was
; _2 k3 ?$ ?* _a real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]
6 a$ g2 j) C6 ?- `9 H7 v9 i5 U[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for
/ g& g1 m8 q* }- J* b) a' ?" \6 Nthe egomaniac in your life. So, I’ve met so many wonderful people along the way.
- _6 l# b# _; c0 f' A" hLoyalty is a two way street. There was a young man named Dennis Cosgrove at the University of
- T" p- Y1 ^/ @+ YVirginia, and when he was a young man, let’s just say things happened. And I found myself talking
& I# u5 d' \) x6 l# e+ W: s' H9 Oto a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never
5 Y4 G* N X1 W- e1 r D7 W' _figure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for0 K: b# r J5 W7 A
him. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even9 a5 N& x5 m# W+ X
tenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I$ O# F _' N6 ?5 u: l5 s0 C
think he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.
8 Y% E2 [( W/ d0 y( N% V9 ^0 QAnd the dean said, and I’m going to remember this when your tenure case comes up. And I said,
: U% T, t0 e5 @; Z2 \; [deal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.# \6 @5 d* T$ j9 v
But loyalty is a two-way street. That was god knows how many years ago, but that’s the same% A+ t1 V' p$ W0 f. R
Dennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only, a; o7 x& T9 T& U$ j9 m
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You
! e6 t. q' n$ S& }9 T7 [3 W8 Ecan’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would! P6 ]- ~" Q2 k+ z8 i5 K
be Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living
8 g, G3 I5 ?7 vanymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by% y2 m4 W' p, C2 ?4 w8 L
her, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great
, c7 I" y5 a8 L/ Y9 _, e9 O/ _because Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all
+ O7 }! V; ~# I- ~8 @4 {young ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
# M% T. [! ~. \+ j5 Ycomes to men that are romantically interested in you, it’s really simple. Just ignore everything they
( N0 w+ U8 Z; f# P# b" m- Dsay and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to* Z( G& m! E; R; z* Z
my bachelor days and I said, damn. [laughter]
- h1 R) f# b! Y! g3 ^, {) ANever give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
% p& p% L1 h; ?" I! [# Feventually decided that it was getting really annoying to have me call everyday so they let me in. At
1 S0 A2 X7 Y4 B. b" T3 Z2 sCarnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate( k8 Q( q: k9 Z4 W
school, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you
/ W4 g5 H- z: q7 t% Wknow what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he6 w7 |) ], j3 t; C- y7 v+ X
had kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had
5 q! c( T2 N- Q0 h2 c; Freally gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.4 w- E$ b5 g$ L
Which, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.* H7 p/ T% ?6 }
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.
9 q7 J" K5 O2 ?And I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter0 ~; Z, S3 T# X ]# O
on his desk. And I said, I just want you to know what your letter of recommendation goes for at2 ?7 |- l7 J7 N; O* e7 P' M: N0 k
Carnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and
. |) s5 l; z& D F$ Yhe said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the
6 X9 ]$ M, i: Eway I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.
) `1 L$ D. [3 {[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,/ ] f" }3 `9 H% H# G: y& [9 f/ r
I’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,$ V3 x: w+ |3 K R# @. X& I _
go visit the other schools and if you really don’t feel comfortable at any of them, then will you let me2 M( x% V% k: E0 }+ l
call Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and9 |3 B7 O% Z% o
I said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]
8 o& K$ n" |2 JBerkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you* O, c4 K( _( F2 H; o y
know, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked9 e) ]( Y5 R3 a1 p' O
in Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his9 |' _9 G4 h7 a2 G8 S
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So9 C X' l9 W0 H
I’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I7 c- E6 o5 `3 N& ^
don’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy, p7 n, _* K1 S! D! S+ b
why are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since" f0 Z! t* J+ x2 Q1 ~7 N9 u
you admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious
) O. j$ ?( K# q9 @: f Z) ~fellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a( q; C4 ]3 d' [5 |, w: X; P# t
fellowship, money, we have plenty of money. That was back then. He said, we have plenty of
8 G4 ~9 X7 V) n2 G& Q( |2 U9 ?money. Why do you think having a fellowship makes any difference to us? And he looked at me.' I E" [" B4 X, z
There are moments that change your life. And ten years later if you know in retrospect it was one of' q2 t. N% G5 p5 {5 r* q# ]
those moments, you’re blessed. But to know it at the moment …. with Nico staring through your7 l3 k' Z& E6 ], k# y( Y
P a u s c h P a g e | 21& I9 \& S9 q6 t# Q+ Z
soul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
! J) V% ?6 l+ Hhonor. There were only 15 given nationwide. And I did think it was an honor that would be
4 E+ g; f: n% Csomething that would be meritorious. And I apologize if that was presumptuous. And he smiled.
3 A+ ?/ ]0 C5 c$ ^1 d# `# H, eAnd that was good.
: g% G" y" X4 K, {So. How do you get people to help you? You can’t get there alone. People have to help you and I
3 [# U" Y0 [. b1 O9 ~1 N4 b& n/ Ndo believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
- A$ s, k9 p; o- R7 aearnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest: D7 _5 K$ }5 h. l2 S$ m- W. {
is long term.
8 c) [- y- k8 [4 ]( j' OApologize when you screw up and focus on other people, not on yourself. And I thought, how do I
6 G+ M- a2 Q( \/ W1 [8 x A1 Z0 npossibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete( P3 R: z* A9 I6 ?% Q
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience]9 x y1 Q( m. ]# w* @* L
See, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus) v' R& x) I! t$ e
on me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper
7 H% N2 m }! Q; {% ebirthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled3 N; `3 p/ {8 P) h0 p- k7 l* v1 C7 s
onto the stage] [applause] Happy—8 z; r0 f0 P" W% S; K/ ^& Q+ L
Everyone:6 r. I( S6 d3 s; ?8 l
…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy2 Y" H! }$ M" x! H M/ u! l) m+ s
birthday to you! [applause]
3 E% t* e9 V* p& _. M' U[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The
! s9 r5 Z* x4 a" O( I9 eaudience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]
' i6 M* `. _, a# YRandy Pausch:( {# [' d- ~ ]# n0 n7 Q
And now you all have an extra reason to come to the reception. [laughter] Remember brick walls let
0 R3 q2 o! S4 i' w8 m* \1 F9 Wus show our dedication. They are there to separate us from the people who don’t really want to
* G" \% x r& L! z2 [% tachieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.
s$ r( k$ V. H, A: w0 {1 n[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was
4 |# ?2 l8 @! a/ s' D7 a( p: wthe big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we
6 B1 ]- u7 ]& j( e, t* K+ Dwere the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to
|9 U' A6 @; j0 [1 k. |2 s8 Ggive eight million dollars to USC to build a program just like yours. We’re hoping you can help them+ O8 @3 y& \, W7 s9 K
get it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And( x$ \8 v/ D; V. z, N% h; R/ [
to quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we& u1 E1 K- F1 M% Q
have a great relationship, personal and professional. And he has certainly been point man on
$ U# a: S3 e2 s! o2 T9 ^) a8 Dgetting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it
& W3 a3 r( A3 Q( W2 ycertainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t
4 a( `' e& x; `* Chave been the right thing to do, and when you do the right thing, good stuff has a way of happening.
2 |! N3 j4 `2 V* |) jGet a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or
4 Y! f4 K% p7 S0 ]7 w/ [* Mit can just be one great man who tells you what you need to hear. The hard part is the listening to it.
+ y7 ]. s8 Z: _* S# s( vP a u s c h P a g e | 22) T) Z$ j8 _- c4 |. a" H( }% f# ~
Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed# `' G( _6 v- b) y* c
to, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and
( I6 C. Q9 q( P2 r. ]use it.
! H5 i) d3 m R; v1 GShow gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.
# \7 q$ j5 g9 d+ w* z5 A9 r* dAnd one of the other professors at Virginia said, how can you do that? I said these people just
+ T" `6 A. b& t* Q' ]" Nbusted their ass and got me the best job in the world for life. How could I not do that?; O5 w% n. `' [
Don’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league
) X" ~* q4 ^/ y4 I7 C% Qbaseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even9 v' n: p! X* B
when the fans spit on him.9 J: h/ _$ u+ C5 A {+ U
Be good at something, it makes you valuable.: \2 ]( M+ b: E! J
Work hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,3 v3 y8 @7 A! }8 d M; x/ l% ?
wow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in- S$ _; ]# n0 y* X
my office at ten o’clock and I’ll tell you., T ~, n; B. g3 U3 b; T4 ]& j
Find the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might( x1 ^/ W9 V! \6 c3 W9 k
have to wait a long time, sometimes years, but people will show you their good side. Just keep
& f# z% h7 P2 v' a5 C4 Hwaiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,
. j1 l7 s; V1 y3 t/ ]it will come out.
" G, s+ F) |8 k+ h w9 e: LAnd be prepared. Luck is truly where preparation meets opportunity.
5 @9 b7 h# ^, [' K" M5 X0 G" d) KSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons
6 A) s. P; u( _7 @4 f. _learned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your
5 b. R5 ?9 g* ?dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
" p3 O0 W4 i6 r! ]of itself. The dreams will come to you.
8 g/ a( p0 Q) X4 e) j @Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,0 O) O8 W, d0 K% I+ q' R* d& h4 J" U
good night.
8 F' b6 i$ b/ Q4 Z% \$ T[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit0 s: E! B1 ~9 Z# k# u6 y, g( a& B
down in their seats; standing ovation continues for another minute]
3 L9 R- Y% Y l& q- rRandy Bryant:
. k0 ` m9 j9 U% X0 B0 ~Thank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.
4 n J& F- m. P- r( yHe had this theory even up to yesterday that there wouldn’t be anyone in the room.
4 D& d2 f+ v" u8 c+ s' n5 lRandy Pausch [from seat]:
" R/ \ G& U5 G) KAfter CS50…7 u$ O k" ]" R$ v7 K9 \6 Z+ ~- m3 Y
Randy Bryant:
* V2 N" D, ^! y1 U4 u7 qI know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy
9 v6 S/ j" _3 I$ J# B: t/ }Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
$ f& L% [; k, yfrom Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of: H% ~, X. u3 ^9 f. I8 K
building virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the
_! r4 Y- P/ X+ wother Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased
5 X1 D% Q7 o i. ntoday to be able to sort of run a brief series of ways in which we want to recognize Randy for his4 ]7 R$ w# D0 e( t/ {
contributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we' G) `" x- A$ j' @0 q5 M, t# b
have a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.% C! m. x; w& M% o
I’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from
: W# f! v5 n6 _4 m1 E. OElectronic Arts. [applause]
( `' x# S9 l4 `% qSteve Seabolt:$ h% i& w) X, G: E/ w0 O
My family wondered whether or not I would make it through the introduction. [voice starts to crack. v' F; c- o/ {7 c4 E
up] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,* Q$ |7 q6 s/ v4 `
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
+ q( Q2 {# n( _* n) e" y$ g* P8 [to encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t* Y9 a' I# O9 c: Z( B
be a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,* I6 @2 }1 [& w, T) i. r
and at the same time companies are forced to off-shore, there are fewer and fewer
% d0 f9 y! p8 M9 `4 ^7 `5 cstudents entering computer science. And the number of women entering computer science just% _9 x: s, ]8 v/ U" Z+ @. D0 [0 R
keeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so
: U( k, {# t4 W1 O4 o/ mmany more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the+ a: J5 Y4 T* J; H
Randy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership6 s0 h; w1 |- q- p
and contribution to education, computer science, digital entertainment, and his commitment to! v o7 d- s/ n% w! t3 ^
women in technology. This scholarship will be awarded annually to a female undergraduate CMU
' k$ j* ]# |4 Z1 R, M Rstudent who demonstrates excellence in computer science and a passion in the pursuit of a career in" n2 y7 ?. h* Y: _- V+ w, T4 ]
video games. Randy, we’re so honored to do this in your name. [applause]
' y# b0 w8 ]& M3 v) G0 D4 LRandy Bryant:
6 G/ ~' Z5 _; A* \Next I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing
& }( t Z& u$ @the ACM Special Interest Group in Computer Human Interaction. Jim. [applause]
/ F4 T) z4 f0 V& }1 _9 zJim Foley:, s% [5 |) u( {1 v: ~: G, C/ {+ S! N
[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the; x0 Z( I1 X1 X8 n1 `
Association for Computing Machinery is a group of about 100,000 computing professionals. One of) J5 c! D* M1 V, F4 M6 A" A, E& H
their special areas of interest is computer human interaction. A few weeks ago, someone who’s a M" W: J- I9 k; \: {+ S' G$ X" @
very good friend of Randy’s wrote a citation which was endorsed by a number of people and went to# R' r0 Y8 _+ a; m0 F
the executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
$ A C7 ?* B! Y; V. t: pspecial presentation. The citation was written by Ben Schneiderman and worked on then by Jenny7 R% H7 g* V4 O6 U2 v. ^2 R- o
Preese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the
3 E8 I" T' B8 Z( G8 Oexecutive committee. So let me read to you the citation. Special award for professional
5 j6 u4 \+ r% f4 Ncontributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both5 Q. |! E& o+ c+ k2 l ~
mature researchers and a generation of students. His deep technical competence, choice of! C9 }+ S! t/ E" w! m) P& W. z
imaginative projects and visionary thinking are always combined with energy and passion. We’ve
" a$ q- B' K/ I% m+ bseen that. From his early work on the simple user interface toolkit to his current work on 3D Alice
2 `0 w' I3 L( [+ wprogramming language, he has shown that innovative tool design enables broad participation in
O$ ~' x/ i: j ]0 D: k1 D) ]programming, especially by women and minorities. Randy Pausch has vigorous commitment to+ R, B3 ` E& _# j
engaging students at every level by compelling and intellectually rigorous projects, and his appealing
: h/ d! ?: v# \2 S4 E# Glecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]5 d/ Q* G$ [' R2 F B$ E
His work has helped make team project experiences and educational computing research more; b) I! T) g. c+ u! R
common and respected. As a National Science Foundation Presidential Young Investigator, a Lilly
2 x* t: t$ d `% pTeaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney$ @' e# i3 A6 g' M$ ~! T) j
Imagineering and EA, Randy’s done pioneering work in combining computing interface design and
9 W5 D7 _ v2 _! k' c: hemotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive0 S. N& O+ \7 p. W
council is proud to present to Randy Pausch a special award for professional contributions.
6 u' J y1 T& c( V/ R4 M[applause] [Randy comes back on stage to receive award]
! d4 k. v5 F( y! ~) jRandy Bryant:/ @* e4 N) `! C
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.
) t) Y. U' G% U" m[applause]
' a9 g# c$ k( w% a& S* U- ?& TJerry Cohen:3 J* \/ k& }, A" h$ z" T# X8 V
Thank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You0 J7 d- D1 n1 b) i6 z
know you’re traveling heavy, buddy. Many of us have been thinking about and talking about how
9 N! y. _. ^$ M) M/ uwe can recognize you on this campus in a way that is lasting and fitting in terms of what you meant6 V! w, U' c) d$ h- |8 B. t
to this university. A lot of people are involved in this. You thought the provost wasn’t paying. k& S9 t- Y9 u5 z
attention all those years. [laughter] Actually, one of the ways we’re going to remember you is this1 F. d$ G5 h: H2 K$ S6 R5 b' g
$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we
9 J0 ?& [5 k8 |really appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture) A8 o2 V, }. S4 k% T
the kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a
! K, Z/ X# W% S. ?6 nteacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,4 p0 Q/ J: _6 D& \
however. And there is a way to remember you every day, as people walk this campus. So we’ve' h w7 [9 B2 v/ ^: j; B/ D+ K/ o, H( E
come up with an idea. You’ve done great things for this campus and for computer science and for0 \6 R% I y. a* C/ E% @
the world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve% G5 H; q' R8 @( W9 y
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had
& Q; m/ B9 S0 I9 _3 k$ oenormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the
+ M+ r6 {- k( ~, L' dfollowing. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next" i9 Q& F. p4 A5 U
slide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A
: T5 K* ?& z+ P9 e: Shundred million dollar building which will allow us to do the following. You’ll note, by the way, to
& t9 m, v) r/ B- w$ s9 {4 qorient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern
/ h/ A* `/ l* A$ X) b6 Z# Elooking new thing, half of which has a green roof, is the new Gates Center for Computer Science.- V2 w0 R) I5 y5 s
And we had long planned to connect these two physically, both to allow people to get down from" m4 o6 W+ n0 c# F. }$ X( i) t
the cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well* R6 T" {. s- Q- \' Y. D
on behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m
5 ` y. ^$ c* c2 t1 w/ w; [pleased to announce today that the bridge connecting these two will be known as the Randy Pausch
3 y/ `" e. e) X5 c4 bMemorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk7 |/ E$ N. {& a$ e, V) ]
today we’re thinking now about putting up a brick wall up at either end, and let students see what$ @1 q* z# S8 q5 B3 A) S
they can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here- x& ^ t% p! f, t) g7 g
who will not know you, but they will cross that bridge, they will see your name, and they’ll ask those
- w+ W9 c/ I2 U7 z" fof us who did know you. And we will tell them that unfortunately they were not able to experience c: X6 N1 |" k- l9 W* u
the man, but they are surely experiencing the impact of the man. Randy, thank you for all that. A& @7 q7 M5 P
you’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and
0 z; z2 n' H* jgives Jerry a hug]
- p& b. V; j- @) a4 TRandy Bryant:
, @' U9 J# C2 U7 s5 eSo every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]
4 A$ b+ |$ j1 f% [& WAndy Van Dam:/ L9 f7 |7 h8 c1 w% x0 T
Oh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t. l7 n% e8 `% Z( Z; T
know whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure
( w# d* o3 A& h4 A8 [2 T; {3 aand great joy not just to teach thousands of undergraduates and some graduates, but also to work
, S' H1 X$ d7 M* a' Vone-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud. J( z- C" |& A' t5 D
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed! E1 S s- u' L( W
great promise early on and a passion about our field and about helping others that you’ve seen
/ T( Y, c; x* U) Y4 H0 {amply demonstrated today. It was matched by fierce determination and by persistence in the face
2 x: p7 @& C$ w( y# O7 h; g8 @+ z/ yof all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights, J0 S, ^% m& @! @
this terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you
* d9 S! B" F4 v4 }% \remember that. And what happened to the elephant’s child, he got spanked by all of his relations,
8 x$ ^. h0 K3 r1 r' F" `and you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,0 B9 _$ m0 c2 c# s
which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to
- n% Q d! ~4 Y( D: F! z* ~; Zthe point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from' @4 u2 a) w5 t9 \3 k
stubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve
" J% ?9 B+ ]! C, V9 e! tseen that demonstrated over and over again. Now, having been accused of many such traits myself,6 [5 N- A6 m( g, @4 a. y
I rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I
$ u l( X- S, d; |5 Awas a fanatic about getting students to speak and write correct English from the get-go. And Randy
6 |% E1 n1 A3 K1 A, Rthe mouth had no problem with that. But he did have one problem. And I’m having a problem with7 N6 g" h& U" Q8 u. i+ A
my machine here, here we go. [gets slide to project on screen]. And that was another part of my
+ p" h! q0 V/ @) `( f, t2 P! ufanaticism which dealt with having American students learn about foreign cultures. And specifically
. V8 q& ~# R7 M) x9 S6 x( E9 {about food cultures, and more specifically yet, about Chinese food culture. So I would take my
& r' ?8 w3 ^% v3 r* zstudents to this wonderful Chinese restaurant where they cooked off the menu using a Chinese* A6 }/ r: N+ u& N) a
menu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?
3 M6 E7 _5 P1 N- O' D[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at' j8 ]5 o. h, D `& U5 a& W8 ^
the time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with0 Q2 W h" v7 [4 O3 g
chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And
; [" I _& Q0 C5 Rso it came time for graduation and I handed him his diploma. And this was the picture one of my0 u7 [& I. X4 R1 n2 n0 P: r
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and
; [8 W7 N8 {+ k) W; s- [; r% d& f# jgown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his
7 b1 _$ x9 H7 G4 s, c2 d1 Sdiploma to show it to his parents, and there was an autographed copy of the menu in Chinese and& Y5 {1 n; N. S! f7 h0 P
no diploma. [laughter, applause] It was one of the few times I got the better of him, I have to/ [* \/ ^' U. f
confess. Well here we are today, all of us, and hundreds and hundreds of people all over the& Q4 Y8 u$ z. E9 p: v: z$ K
country, I dare say all over the world, participating in this great event to celebrate you and your life.% G1 n' v/ [# k" `, U! i3 s: Z0 y1 o
Randy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
* { c! O; J hacademic, especially as a mentor to your students. Your Disneyland expeditions not only were, R4 B9 M4 I7 O4 i* f- Z
unique but they are legendary. You have more than fulfilled the terms of Brown University Charter,4 _$ t3 w0 x6 s
which are: to discharge the offices of life with usefulness and reputation. Your utter devotion to
' x2 ?7 b, k5 P$ J' l3 E6 `your family and your career are exemplary, and continue unabated as you cope with the immensity
! \9 g! `0 V- `* h- J+ Z/ t& lof your situation. You exemplify undaunted courage and grace under pressure. The most terrible
& T' B: h8 Z/ z9 e+ Gpressure one can imagine. Randy, you have been and you will continue to be a role model for us.
, j" V2 w' Q% Z. Y[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell
4 F @8 C) ^+ B6 O2 d. Kyou privately and in such a public way how much we admire, honor, and indeed love you. [applause]
; d$ {9 v1 @% v$ S/ T8 ?[standing ovation]
% W" g/ K3 b4 R. J8 E$ R9 O* L& N. o( [+ Y2 H' l- O
[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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