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This was in a Vistek ad…some cool tips you may want to use.
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4 w: r9 J7 P- IDigital Black and White0 s4 n3 \6 {% M, w8 w8 ]) V
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
# j; ?, N; a5 vUse the shadow and highlights tool in a RAW software program to
& q( `7 g, p- Crestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
& N3 V$ i5 a/ o* v- Amethods provided by RAW and you'll have a correctly exposed black
0 x) `- D8 R% K& h) Kand white image.
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White Balance$ y h5 s& E8 F" B0 M6 [
If in need of a quick white balance tool, you can use a standard+ r4 i3 u2 p2 |3 w+ H
white coffee filter. Use the custom camera white balance while aiming* ^6 ]0 Q# y9 H1 Z1 m: r$ X
the coffee filter and lens to the opposite of the light source to get white
6 }4 `7 \( u/ T9 J" E/ _& D; tbalance. I always keep coffee filters in my camera bag for
+ n8 f( g" _! v0 S/ o% ?$ ^such occasions.: B8 Q* R! a- {! r6 F5 P' Y
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Pseudo ISO Boost; A. \$ T( P# A3 f+ a5 |7 j
If you’re shooting in the dark at a concert venue and need more
1 J! \: j! E+ l% o3 A# [0 Z* UISO boost from your camera and faster shutter speeds - choose , m, }, c& M6 ~* k/ v
the highest ISO setting on your camera and underexpose your image* I; R3 ?2 C* z& u, u; a
by one stop. Then you can use a RAW processor to overexpose the
. o2 q' Q+ V8 Y) kimage by one or two stops. Image noise may be higher but this
% U# q& N* K# t- ~6 Q- Gworks very well for concert, venue and event shooting. |
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