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This was in a Vistek ad…some cool tips you may want to use.
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% c' f8 A; ]; R+ ^Digital Black and White6 h6 T. e- L8 T1 P! H
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
9 x% p2 s& X5 dUse the shadow and highlights tool in a RAW software program to
7 I8 R7 e( h; Xrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
, A0 J. D X9 D k) imethods provided by RAW and you'll have a correctly exposed black' m6 M" X! o m `" x- h
and white image.
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White Balance
% Y. a+ C0 R4 O5 C2 IIf in need of a quick white balance tool, you can use a standard, t1 C r! N) q
white coffee filter. Use the custom camera white balance while aiming, q$ m4 |8 C8 f' E) F1 Z4 y
the coffee filter and lens to the opposite of the light source to get white
, Z% ^) c6 B6 N: O0 V) V1 J1 I: Tbalance. I always keep coffee filters in my camera bag for
6 X( j* ~$ Q \, F+ m: ]such occasions.
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. J7 S& K2 L n; I1 jPseudo ISO Boost
" L/ f& T- n1 v( r8 w- I* j1 YIf you’re shooting in the dark at a concert venue and need more5 v( e: n, J5 }# q
ISO boost from your camera and faster shutter speeds - choose
1 l( C2 F- C, D) X) K: ithe highest ISO setting on your camera and underexpose your image2 O) R+ w% b1 G8 d+ {
by one stop. Then you can use a RAW processor to overexpose the# s, ~( l8 q4 x& ?
image by one or two stops. Image noise may be higher but this m) V' L: g( m9 o- [- j
works very well for concert, venue and event shooting. |
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