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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
1 }8 ~/ h' _# v% L1 zShoot in RAW and underexpose your image by 1/2 stop to a full stop.
* u% s$ Q- L2 BUse the shadow and highlights tool in a RAW software program to0 o8 _( W3 n7 G/ F' H
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
! ^4 X& [. Z& e, W, `- u9 }% C% Rmethods provided by RAW and you'll have a correctly exposed black
6 d$ R4 E7 Y5 Q6 dand white image.. [, F5 t0 f9 x( z* S
& f h, {4 U4 q) x% _0 H2 T! uWhite Balance
7 M1 {5 j' J6 ?+ U( B9 v9 v6 yIf in need of a quick white balance tool, you can use a standard F/ V! `8 q, j" X
white coffee filter. Use the custom camera white balance while aiming" }' x3 ^+ C2 X: e o& ~
the coffee filter and lens to the opposite of the light source to get white* C N H7 ^9 h9 y; }9 k3 O
balance. I always keep coffee filters in my camera bag for
6 M: G( f) K) rsuch occasions.6 u# s/ O$ R( ^
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Pseudo ISO Boost) m) J0 A' b4 v Q" a
If you’re shooting in the dark at a concert venue and need more O: r' K. V+ S$ A" ]1 Z
ISO boost from your camera and faster shutter speeds - choose
/ H* g+ z+ k6 j. C- n; z( x4 Fthe highest ISO setting on your camera and underexpose your image9 L$ y9 x+ M0 N9 K
by one stop. Then you can use a RAW processor to overexpose the p, s. I- Z* p. Q6 C( S
image by one or two stops. Image noise may be higher but this
) y( G- k" u9 ~; E0 K* t1 A! Uworks very well for concert, venue and event shooting. |
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