D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
1 B9 l* O0 @- mof the new Nikon D800. Established medium-format image quality is
8 g! y* T8 M( bnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
' \5 W3 m5 F+ q0 m8 [7 p0 @! {megapixels, the D800 produces unprecedented image quality and resolution
$ g) g5 n  X$ a- Lwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
( M. p, ]6 s/ e# gin low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
: m" t$ h/ }6 J' i/ |. Nwithout having to think about much else. In years past, wedding photography
' M$ Y5 [3 P) `3 Gwas traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
" ^7 i$ v0 f" G) F/ ?9 y: \2 M/ N* rconvenience. Now, my wedding portraiture will have a depth it’s never shown
; y$ r& l  E: w  w/ ?before, and my style of shooting will be enhanced rather than compromised,
, T, N4 V- c5 D1 R- Q! O" ythanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
, D# B$ v) S6 k3 |36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
( p$ W1 J+ |6 AAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
! E. k4 j/ M6 w8 v/ [easier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
' f+ b4 G; g2 xprints and video.
To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
6 q5 L2 f3 m# P; Vare important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
0 p2 U2 o3 K! H% |; I4 \0 ?+ Ssight. The sharpness and detail were initially intimidating, exposing my flaws
8 h: w2 A7 E- b5 [- ]3 q+ f2 vlike never before. Subtle camera movements showed and differences of
! i! o3 C+ u: L: n* Y8 kacuity between aperture choices on various lenses were apparent. But now I
# Q0 _, K* Z/ L4 B$ jam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
# b9 n- O9 ~" j) n& b" Dphotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
- s/ c9 y$ p* M+ [. q& X& XD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
0 `4 U  o7 O, b0 h. {As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
7 u9 H0 d2 f4 {1 Wthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
' G0 k) s! b7 d. g7 ^( l3 ~. f# Hand easy focusing in dim lighting, which simplifies my workflow. Superior
1 Q1 P& R2 B0 x3 a  `quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
+ F, G* E! `0 C; g* _. s1 ]& z, barchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
0 k% a5 k1 U# H9 b7 Zto work at unusual shooting locations and capture images in an exceptional
, {4 Z+ ~: l0 Q+ irange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
5 R; J$ \6 G# y9 GRob Van Petten
4 X3 x" C' Y; S* z" _' O1 oFashion (U.S.A.)
- @7 K2 s( ~4 q: ^Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
" d% z- }5 ]6 l) `" v2 iNature (U.S.A.)
8 f# k4 x- @8 c5 VBenjamin Antony Monn
/ u4 T9 n) I2 g! U: qFine art/Architecture (Germany)
( a* m/ s# m) a' nPrinted in Holland Code No. 6CE11030 (1202/A)K

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