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This was in a Vistek ad…some cool tips you may want to use.' A7 h8 H/ Y& ?" x$ H$ F, ]3 J) S
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Digital Black and White) H: H& O* g" m; m; L
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.2 R: w A6 r, D: ]2 h: m1 I6 {
Use the shadow and highlights tool in a RAW software program to
& t( _# {: u" I* B" N$ Brestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
$ K v1 v/ E, x; o0 E% {methods provided by RAW and you'll have a correctly exposed black1 q+ B2 q+ c w4 S# A
and white image.$ p/ ^. ~" ]2 ]* _
8 p( w% s( u% r$ Q5 J, KWhite Balance
9 p O$ L/ D1 u& {9 c* LIf in need of a quick white balance tool, you can use a standard
+ ]9 c$ V; q( ? }white coffee filter. Use the custom camera white balance while aiming2 _( v4 b5 ^1 H8 }0 T, u0 k
the coffee filter and lens to the opposite of the light source to get white. {, t0 Y0 ]0 C2 o3 m# {
balance. I always keep coffee filters in my camera bag for4 I' Z6 |; V7 v+ i- i% D
such occasions.
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Pseudo ISO Boost3 h# {# I. I- y$ S3 o+ Q
If you’re shooting in the dark at a concert venue and need more9 c% S/ h/ F# o$ {, t
ISO boost from your camera and faster shutter speeds - choose # f' p' G! l$ f/ O
the highest ISO setting on your camera and underexpose your image
# f% N) `5 o" @" }" }3 Mby one stop. Then you can use a RAW processor to overexpose the
1 J" N9 `$ A: W" V% Y7 Z% Dimage by one or two stops. Image noise may be higher but this3 D5 u' T3 Z/ x+ x2 x- Q
works very well for concert, venue and event shooting. |
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