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This was in a Vistek ad…some cool tips you may want to use.
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# q5 R T1 }) zDigital Black and White2 }* r/ B# w0 C7 E
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
s/ O! R3 ?4 O& DUse the shadow and highlights tool in a RAW software program to: N# I- d$ H4 N7 d
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White g6 u& ^2 Z. U* W
methods provided by RAW and you'll have a correctly exposed black4 B; h6 F& f/ |1 Q( Q5 l+ h
and white image.) e* K$ W6 K6 N; G/ i o) ]
. M" v; e0 P( J: nWhite Balance( \8 v) \- u( q! D4 ~; J) d+ l) |
If in need of a quick white balance tool, you can use a standard' s8 H2 B5 i% T8 K" P T
white coffee filter. Use the custom camera white balance while aiming$ r$ z: ]2 L9 @0 f3 j& ~' F
the coffee filter and lens to the opposite of the light source to get white/ J4 R. w' c) c A+ J
balance. I always keep coffee filters in my camera bag for
$ |7 M& t" y( o& G( vsuch occasions.7 J; H/ I2 ^) j4 v# |
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Pseudo ISO Boost
, @( g% U/ ` z# W+ Y( }If you’re shooting in the dark at a concert venue and need more, a8 ~: S H* @: ] [' ]' y
ISO boost from your camera and faster shutter speeds - choose - ] ?" Z2 N" x* w. d* `
the highest ISO setting on your camera and underexpose your image
4 s5 ` M& t: N: kby one stop. Then you can use a RAW processor to overexpose the* W' u- F% P# q2 U: x
image by one or two stops. Image noise may be higher but this
+ ?3 ~; m: _& H+ ?0 G* N) I8 rworks very well for concert, venue and event shooting. |
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