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This was in a Vistek ad…some cool tips you may want to use.
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. w! {+ `9 q$ Y/ p0 }+ c; M* |Digital Black and White, r7 g" D: o; ]/ R
Shoot in RAW and underexpose your image by 1/2 stop to a full stop. Z6 E* g0 T9 I& o/ u3 ]( `& Y# l$ D: x
Use the shadow and highlights tool in a RAW software program to
& P+ F& d p2 m. m5 C1 n( `8 drestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White% d. b# o% H' }$ h
methods provided by RAW and you'll have a correctly exposed black
# r4 k2 w- r" q8 X4 U& zand white image.
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% Y' j" L0 K% e9 v% s2 VWhite Balance7 m" y0 g. c( Q8 C
If in need of a quick white balance tool, you can use a standard
4 g" H& ], C! J6 B6 z* swhite coffee filter. Use the custom camera white balance while aiming. E* U& a. N y
the coffee filter and lens to the opposite of the light source to get white
5 H. @2 Q) k" h* h, rbalance. I always keep coffee filters in my camera bag for' f9 p. @( R- J8 \0 j9 |
such occasions.; H+ Y/ |0 C! i u2 ^) F9 T9 M; t+ N8 q
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Pseudo ISO Boost
d3 ?. ^/ `% HIf you’re shooting in the dark at a concert venue and need more
0 S! B9 W# n, i* ], U) UISO boost from your camera and faster shutter speeds - choose
9 N( v8 U+ n" X' r! e* J+ @; a4 Zthe highest ISO setting on your camera and underexpose your image i- N Y$ V' S" m- X* H' H
by one stop. Then you can use a RAW processor to overexpose the
1 ^& x% o: Y4 C/ K7 K4 cimage by one or two stops. Image noise may be higher but this q. O' u$ ^( C; X/ f
works very well for concert, venue and event shooting. |
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